Diese Filme wurden bei den Oscars 1930/1 (2. Ausgabe der Academy Awards) am 03.04.1930 ausgezeichnet oder nominiert.
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The vaudeville act of Harriet and Queenie Mahoney comes to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. When Eddie meets Queenie, he soon falls in love with her—but she is already being courted by Jock Warriner, a member of New York high society. Queenie eventually recognises that, to Jock, she is nothing more than a toy, and that Eddie is in love with her.
A Southern belle's flirtation with a working man leads to tragedy.
Army Sergeant Mickey Dunn sets out in pursuit of the Cisco Kid, a notorious if kind-hearted and charismatic bandit of the Old West. The Kid spends much of his loot on Tonia, the woman he loves, not realizing that she is being unfaithful to him in his absence. Soon, with her oblivious paramour off plying his trade, Tonia falls in with Dunn, drawn by the allure of a substantial reward for the Kid's capture -- dead or alive. Together, they concoct a plan to ambush and do away with the Cisco Kid once and for all.
Neapel: Die junge Angela benötigt dringend Geld für ihre kranke Mutter, notgedrungen entschliesst sie sich schweren Herzens dies als Prostituierte zu beschaffen. Jedoch gelingt ihr dies nicht, also sie versucht das Geld zu stehlen. Dabei wird sie verhaftet und zu einem Jahr Zwangsarbeit verurteilt. Sie entflieht und findet Unterschlupf bei einem Zirkus. Dann macht sie Bekanntschaft mit dem jungen Maler Gino, der sich sofort in sie verliebt. Angela ist zuerst gar nicht von ihm angetan, jedoch kann sie seinen Avancen nicht lange widerstehen. Als die beiden schliesslich heiraten wollen, holt sie die Vergangenheit ein….
England im Jahr 1782. Emma Hart ist die schöne Tochter einer Köchin, der für den Schauspieler George Romney arbeitet. Mit Charles Greville ist sie befreundet. Doch später heiratet sie Charles’ Onkel, Lord William Hamilton, den britischen Botschafter am Hof des Königreichs Neapel. Trotz des Altersunterschiedes und der unterschiedlichen gesellschaftlichen Herkunft ist das Paar glücklich. Emma wird sogar zu einer Vertrauten der Königin von Neapel.
A flapper sets her hat for a man with a hard-drinking wife.
The circus provides the backdrop for this melodrama that chronicles the lives of four children raised within the big top. Film historian and collector William K. Everson stated that the only surviving print was lost by actress Mary Duncan who had borrowed it from Fox Studios. In the December 1974 issue of "Films in Review," he explained that Mary Duncan, one of the film's stars, wanted it to show to a group of friends in Florida. The star was aware that it was a dangerous nitrate print and assumed that Fox had others. She threw the only copy in the ocean, a mistake characterized by Everson as "a monumental blunder to rank with Balaclava, Sarajevo, and the Fall of Babylon as one of history's blackest moments.".
Eine New Yorkerin trennt sich von einem Gangsterkönig und wendet sich einem Bankangestellten zu. Weil er sich "sein" Mädchen nicht wegnehmen lassen will, inszeniert der inzwischen zum Tode verurteilte Gangster einen Bankraub mit Totschlag, der zur Verurteilung des unschuldigen Nebenbuhlers führt. Beide begegnen sich in den Todeszellen, und nach herzzerreißenden Szenen verzichtet der Gangster auf seine Rache.
An all-star revue featuring MGM contract players.
Wealthy Cynthia is in love with not-so-wealthy Roger, who is married to Marcia. The threesome is terribly modern about the situation, and Marcia will gladly divorce Roger if Cynthia agrees to a financial settlement. But Cynthia's wealth is in jeopardy because her trust fund will expire if she is not married by a certain date. To satisfy that condition, Cynthia arranges to marry Hagon Derk, who is condemned to die for a crime he didn't commit. She pays him so he can provide for his little sister. But at the last minute, Derk is freed when the true criminal is discovered. Expecting to be a rich widow, Cynthia finds herself married to a man she doesn't know and doesn't want to.
An alcoholic doctor on a Polynesian island, disgusted by white exploitation of the natives, finds himself marooned on a pristinely beautiful island.
Chick Williams, a prohibition gangster, rejoins his mob soon after being released from prison. When a policeman is murdered during a robbery, he falls under suspicion. The gangster took Joan, a policeman's daughter, to the theater, sneaked out during the intermission to commit the crime, then used her to support his alibi. The detective squad employs its most sophisticated and barbaric techniques, including planting an undercover agent in the gang, to bring him to justice.
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A man condemned to execution tries to convince two women that he is not their son and brother, and that they must get on with their lives.
A planter's wife shoots a neighbor, but tells conflicting stories of what happened.
A young, unfaithful wife and mother is thrown out by her cold, unforgiving husband, the Attorney General of France. She is barred from ever seeing her three year old son again despite her earnest attempts to make amends. For many years the mother seeks refuge overseas and in Absinthe. In the end, her son, a young and promising lawyer unknowingly defends her in court. Ruth Chatterton gives a marvelous performance in this early talkie in her portrayal of Madame X.
There is a big charity function at the house of Mrs. Cheyney and a lot of society is present. With her rich husband, deceased, rich old Lord Elton and playboy Lord Arthur Dilling are both very interested in the mysterious Fay. Invited to the house of Mrs. Webley, Fay is again the center of attention for Arthur and Elton with her leaning towards stuffy old Elton. When Arthur sees Charles, Fay's Butler, lurking in the gardens, he remembers that Charles was a thief caught in Monte Carlo and he figures that Fay may be more interested in the pearls of Mrs. Webley, which she is. After Fay takes the pearls, but before she can toss them out the window, she is caught by Arthur who is very disappointed in how things are turning out.
1928-29 film directed by Frank Lloyd. It was an Oscar nominee for Best Director in the second year of the Academy Awards. The story concerns a man's family life, especially his wife's parents and their impact on his peace and solitude. it is a light comedy and supposedly is available at, at least, one unknown archive. It has been shown in recent years at one film festival in LA. This is an important film due to its Oscar status and because it is in existence somewhere and deserves to be mentioned.
A successful carnival barker deals with the arrival of his eager son, who he'd hoped would stay far from the carnival world, his son's entanglement with a showgirl, and his own jealous mistress.
A gangster is put in prison, but finds salvation through music while serving his time. Again on the outside, he finds success elusive and temptations abound.
In 18th-Century Russia, the Czar, Paul, is surrounded by murderous plots and trusts only Count Pahlen. Pahlen wishes to protect his friend, the mad king, but because of the horror of the king's acts, he feels that he must remove him from the throne.
Childhood friends Diana, Neville and David are caught in a love triangle as adults. Diana and Neville have long been smitten with each other, but her father disapproves of the relationship, resulting in her eventual marriage to David. It's not long after their wedding, however, that tragedy strikes, sending Diana on a downward spiral. When Neville reappears in her life, will he be able to save her from her own misery?
A film about male bonding. At the end of WW I, two Americans befriend a simple minded German and win him over into becoming an American. All three are still peacetime officers in the US Marines when an unscrupulous character steals Boyd's girl and his two buddies go off to rescue her. When they don't come back, Boyd goes after them to rescue all. This is all done in flashback from a court martial trial for desertion.
A French country lass Marie Ducrot, name is "mud" after she is compromised by a German soldier . Turning to religion, Banky becomes one of the "sisters in white" in the field hospitals of World War 1. THE AWAKENING was nominated by the Academy for its Art Direction in the first transitional year of the talkies. A vast number of films from this year are lost and this is no exception. No print or negative materials are known to exist at this time. William Cameron Menzies received his third nomination for this film, having received two the prior year and winning for both.
Blondy and Swede are gruff best friends who build skyscrapers. Blondy gets sweet on a girl he saves from a falling beam, Sally, but when he is injured in an accident and temporarily crippled, he rejects her. Swede tries every desperate measure to get Blondy to fight back, to try to walk, even masquerading as stealing Sally away from him.
Pete Smith, a lift bridge operator in a harbor, feels lonely in his cabin, his only visitor being a policeman on patrol, Sgt. Coughlin. One night, after hearing shots, Smith gives shelter to a wounded man, whom he hides from Coughlin. Before leaving, the man, Marcas, promises to return the favor and the coat he borrows from him. Later, Smith enters the police, and his chief, Mather, suspects he is protecting Marcas, who is actually a gangster. Marcas sends a girl, Mary Monks, to deliver a luxurious coat with a fur collar to Smith. Pete and Mary get along well, and for his sake, she betrays Marcas, who is eventually shot to death by the cops, after having stopped his mob from killing Smith. Mary goes away alone into the night, and when Mather finds out that Pete is protecting her, he drops away the evidence of her presence on the spot.
This first cinematic version of the classic book is a part-talkie, although the only surviving print is silent (housed in the George Eastman House, Rochester, NY). It is a straight-forward telling of the intermingled lives of a group of strangers doomed to die in a collapsing bridge accident. The Art Direction, paltry and unremarkable, surprisingly won an Oscar over the far more remarkable work nominated in THE IRON MASK. The special effect scene of the lovers plummeting with the bridge into the chasm is unforgettable and remarkably done.
A German pianist is going to break up with his unfaithful wife, when he receives the message that his favourite stepchild has died. This film is believed lost.
SAL OF SINGAPORE was nominated for an Oscar for achievement in Writing during the second year of the Academy Awards. The film, being a part-talkie, nearly disappared from view. However, a preservation print does exist at UCLA, although it is unavailable for public viewing, awaiting restoration.