Khmer wird u.a. in Vietnam und Kambodscha gesprochen und 89 Filme (zwischen 1965 und 2024) mit dieser Sprache wurden bislang erfasst. Die meisten dieser Filme wurden in Kambodscha (80) gedreht. Besonders beliebte Genres für Khmer Filme sind Drama (38), Romantik / Liebe (18) und Horror (16). Zu den bekanntesten & erfolgreichsten Filmen zählen Lady Vampire (2004), Young Love (2019), I Shall Never See You Again, Oh My Beloved Kampuchea (1991), The Crocodile (2005) und Orn Euy Srey Orn (1972).
Based on the Southeast Asian mythology of the "Krasue." The "Krasue" is the floating head of a vampiric female ghost which has internal organs that hang from the ghost's neck.
Kali a 16 year old girl in Phnom Penh Cambodia who lives with her grandmother, but looks forward to her estranged mother's letters every day. With her three close friends, Rith Sopheak and Beta, all enjoying their schooling, things change after Kali meets Vera, a handsome senior. The two begin to get to know each other and experience the joys and pains of young love.
In 1999 a fibre-glas wire was installed from Thailand to Vietnam straight trough Cambodia. Rithy Panh shows us the work done in Cambodia to connect Khmer-society to "modern world". Farmers, soldiers and children work for a living there and unearthen skulls and bones -their remains from PolPot-regime you can see. The fear in their mind is portrayed by Rithy Panh in this documentary. As the other work done by Rithy Panh this deals with his people. I like it very much! The movie was awarded 1999 at "Visions du Réel" in Nyon (Switzerland) and at "Cinéma du Réel" in Paris.
Cambodia 1975: The capital Phnom Penh is a city under siege. Only the presence of the last remaining US troops is keeping Khmer Rouge guerrilla forces from overrunning the town's fragile defenses. Inside this dark, dystopian setting a stunning nightclub singer engages in a battle of wits and deception with two lovers in a bid to escape the doomed metropolis.
Phnom Penh, Cambodia. On Diamond Island, the country's pinnacle of modernity, two friends tell each other about the dreams they had the night before.
Vixna and her two children are lured from the safety of Paris by her husband, a officer in Pol Pot's army, back to Cambodia where they undergo brainwashing and enslavement by the Khmer Rouge.
Forty years after the fall of Phnom Penh, Cambodian artists inherit a pluralistic history whose groping threads they unravel. Sera Ing works on the sculpture which will become the first memorial of the genocide but the project encounters difficulties to exist. How do artists reappropriate history and culture from which they have been dispossessed?
An isolated village affected by a curse is facing misery and it has been condemned to an undeniable fate. The uncompromising commune chief who has ruled the village for years has denied the request of his people to migrate to other lands in search of better luck. He took away their only lifeline: Hope. But one night, the prayers of a spiritual leader are heard by a mighty tree in the forest. The following day, a young mysterious woman appears on a nearby river shore. To the surprise of the villagers, the chief decides to give her a seven-day trial to see if she could be useful to the community. From that day on, a series of strange events began to happen, leaving the villagers to wonder whether if this strange woman is their savior or their executioner.
Nari and Sok make a promise to marry very soon, but prince Thamavong abducts the young woman to be his wife. While Sok tries to take back his beloved, the first wife of polygamous prince makes a very sad plan.
Chantrea is banished from home by her sons when they discover she has HIV. She accepts her exile, even though supporting her family was the reason she worked as a prostitute.
Based on a legend in Buddhist mythology, this tells the story of a religious disciple who defies rules and reads from an ancient scripture that turns him into a huge crocodile.
A lost film, buried beneath Cambodia's killing fields, reveals different versions of the truth. A contemporary story about love, family and the ghosts of Cambodia's past.
Binchey und seine Familie werden mit Gewalt von ihrem letzten Feld vertrieben. Damit stellt sich die existenzielle Frage, wovon sie künftig leben sollen. Die ungesicherte Zukunft trifft Binchey im Innersten und wird zur Zerreissprobe. Trotz heftigen Krisen gibt er die Hoffnung nicht auf und macht sich auf die Suche nach einem freien Feld. Im Nordosten Kambodschas inszeniert Regisseur Mehdi Sahebi zusammen mit Binchey und anderen Dorfbewohnern die Geschichte der Landenteignung durch die Plantagenbesitzer und deren Folgen.
A class trip goes horribly wrong when their bus breaks down in the middle of the forest. They decide to walk along the river to their destination, but things go from bad to worse when a masked killer shows up and starts killing the students off, one by one. Will anyone survive, or will their blood run in rivers?
A poor, rural Cambodian family slowly disintegrates during the cycle of a single rice crop in this moving, and beautifully photographed European drama adapted from a novel by Shahnon Ahmad. Pouev, his wife Om, and his seven children, live in a small rural village in Cambodia. Their whole precarious life depends upon the success of their rice crop. Both husband and wife are worried, but for different reasons. Pouev is concerned because their acreage is shrinking. Om worries about Pouev; what would happen to her and the children if he died or was injured? Her worst fear is manifest after Pouev steps upon a poisoned thorn and dies. Om finds herself heavily burdened with the responsibilities of maintaining the crop and caring for seven youngsters. She suffers paranoia from worrying about whether the children are doing their share and the other villagers lock her up leaving eldest daughter Sokha to bring in the crop.
Eine junge Frau entspannt sich mit einem Freund in einem Restaurant am Fluss. Sie erzählt Geschichten von ihren Erfahrungen und ist dabei vom Fließen des Flusses und den Bäumen auf dem Berg verzaubert. Mit einem Mal betritt sie seltsamerweise ein paralleles Flussufer, mit einem Fremden….
In a bygone era in Cambodia, a small family resided. Nuon carried her pregnancy for several months with concerns that her baby may not survive. During her husband's absence, the villagers accused her of being the Dark Mother. Despite Nuon's efforts to protect her child, the local children feared her and refused to stay with her. The subsequent separation from her family left Nuon devastated. She recognized that a mother, whether human or ghost, must be present to care for her children.
After an affair with the fabled Snake King, a woman gives birth to a son she names Veasna. After Veasna finds a wife, a witch curses their daughter to be born with snakes instead of hair.
After a series of deadly crocodile attacks, a farmer decides to become a crocodile hunter.
Big Madam poisons her husband and throws her adopted sister into a snake pit where she has sex with the snakes and gives birth to the beautiful Snake Girl. When her son falls in love with Snake Girl, Big Madam tries to kill her.
WE WANT (U) TO KNOW reveals how Cambodians are struggling to cope with painful memories at the time of the Khmer Rouge Tribunal. This is a participatory film: Villagers from all around the country take the camera in their hands to document what they have gone through during and after the Khmer Rouge era. Through sharing their stories with the young generation, survivors are breaking 30 years of silence and initiating a powerful discourse about the challenges of the present. The big screen under the trees becomes a public space for confrontation, a picture of hope beyond this film.
Kanitha, a young, free-spirited Cambodian woman in her 20s, lives in modern-day Phnom Penh, working multiple jobs and choosing to live how she pleases. However, her daydreaming creates tension with her traditional mother, who wants a daughter that will settle down to get married, and Kanitha seems ambivalent to her father's deteriorating health. The family's struggle seems immutable, but Kanitha dreams an idea born from memories of her father. TURN LEFT TURN RIGHT is structured as an album, with tracks and sounds influencing the form. The film weaves Cambodian rock songs together with motifs of family, nature, and boundless imagination.
An ailing Khmer prince falls in love with Maharani Maya of India, his guest. The government of Cambodia sent him a trained nurse named Sopheap, who served him with devotion. But the prince was totally unaware of the rumblings in her heart.
Twelve sisters who escaped at the start of their human-eating mother, are marry at the same time the king. But the ogress craves revenge and deceives the king as an attractive woman. The ogress ensures that the twelve sisters lose their eyesight and are imprisoned in a cave. Where they eat their own children to survive. Only the little Puthisen, the son of the youngest sister, is spared. Puthisen grows then into the cave from child to young man. As a young adult he decides to liberate his mother and the eleven aunts.
Based upon documentation of forced confessions made during the Khmer Rouge era in Cambodia, this film reconstructs the relationship of a young woman, Hout Bophana, and Ly Sitha before they were tortured in executed in 1977.
Der berühmt-berüchtigte Geschäftsmann Playboy (Savin Phillip) sollte ohnehin schon eingebuchtet werden, aber dann ließ er mit dem Geständnis, er sei Mitglied der gefährlichen Butterfly-Gang, die Bombe platzen. Zuvor nahm man zumindest an, dass er deren Oberhaupt sei, was nicht stimmt, doch Playboy weiß natürlich über die wahre Chefin Madame Butterfly bestens Bescheid. Deshalb soll er in ein neues Gefängnis verlegt werden. Der möglichst reibungslose Ablauf der Aktion fällt dabei Jean-Paul (Jean-Paul Ly) und seinen Männern zu und eigentlich handelt es sich um einen einfachen Routinejob. Doch kurz nachdem sie an ihrem Zielort angekommen sind, bricht die Hölle los: Auf Playboy wurde nämlich ein hohes Kopfgeld angesetzt und nun kommt es zum Aufstand der Insassen. Jean-Paul und Co. haben alle Hände voll zu tun, sich der Angriffe zu erwehren. Zum Glück wissen sie, wie sie mit ihren Fäusten und Füßen umzugehen haben….
The incredible true story of two women who fell in love, survived the Khmer Rouge, became a family, and transformed a community. A heartbreaking and uplifting look at the power of the human spirit and the will to survive.
The Khmer Rouge slaughtered nearly two million people in the late 1970s. Yet the Killing Fields of Cambodia remain unexplained. Until now. Enter Thet Sambath, an unassuming, yet cunning, investigative journalist who spends a decade of his life gaining the trust of the men and women who perpetrated the massacres. From the foot soldiers who slit throats to Pol Pot's right-hand man, the notorious Brother Number Two, Sambath records shocking testimony never before seen or heard. Having neglected his own family for years, Sambath's work comes at a price. But his is a personal mission. He lost his parents and his siblings in the Killing Fields. Amidst his journey to discover why his family died, we come to understand for the first time the real story of Cambodia's tragedy.
Kavich Neang documents the final days of the White Building in Phnom Penh, an architectural landmark he had lived in since birth.