Die Ankunft eines Zuges im Bahnhof Ciotat(1897)
Einer der ersten Filme der berühmt gewordenen Frères Lumières, die das Kino an sich begründeten und die Wahrnehmung der Menschen verändern sollte.
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Einer der ersten Filme der berühmt gewordenen Frères Lumières, die das Kino an sich begründeten und die Wahrnehmung der Menschen verändern sollte.
La Sortie des usines Lumière ist einer der ersten Filme in der Geschichte des Kinos überhaupt und gilt somit als Meilenstein. Es existieren drei verschiedene Versionen.
A father, a mother and a baby are sitting at a table, on a patio outside. Dad is feeding baby his lunch, while mum is serving tea.
Down the gangway, photographers leave the deck of a riverboat in large numbers.
In very bad weather and a stormy sea, a small boat manned by two men is trying to leave the harbor of La Ciotat, while several people are watching them from the nearby pier.
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
A man (Thomas Edison's assistant) takes a pinch of snuff and sneezes. This is one of the earliest Thomas Edison films and was the first motion picture to be copyrighted in the United States.
Pedestrian and horse-drawn vehicles traffic, across the Place des Cordeliers, in Lyon.
While his aide continuously turns the handle of the bellows, keeping hot a small furnace in front of him, a blacksmith is pounding a piece of metal on an anvil, then plunges the shaft into a tub of water, causing a cloud of vapor in the process.
A young woman dancer with large, flowing robes, swirls round herself quickly, making her light robe flow around her like a butterfly's wings.
A man, holding a baby up in his hands, is standing next to a fishbowl. The baby is trying, in vain, to catch a goldfish with his bare hands.
Four men stand holding what appears to be a blanket, while one wearing a hat stands watching. A sixth man then runs towards them and attempts to jump into the blanket.
A man and a kangaroo stand up in front of each other with boxing gloves, and simulate a boxing match on a theatre stage.
Strong-man Eugene Sandow flexes his muscles and strikes a few poses in front of a black background. This was a short film shot by William K.L. Dickson and produced in Thomas Edison's Black Maria studio.
In the background is a house. In the foreground, a groom holds the reins of a sleek black horse that stands in profile. A tall man, dressed in a black uniform, demonstrates how to mount the horse then encourages and tries to assist a man in white. The man in white keeps falling, and soon it's apparent that he's an putting on a show. His pratfalls become more elaborate and stylish. The horse stands patient. The little groom laughs to see such sport. And finally, the man in white finds a comic accommodation. The story, though brief, has a beginning, middle, and end.
Eugen Sandow, who claims to be the strongest man in the world, appears in the Edison Company's film studio.
James J. Corbett and Peter Courtney meet in a boxing exhibition.
The surf pounds against a breakwater on which are visible several people standing. The wall looks to be about 20 feet above sea level and extend at least 100 feet into the water. A large wave rolls picturesquely along the wall toward the shore. Smaller waves follow. Then the scene changes to river water flowing. We see both shores: in the foreground a log and tree branch are visible; on the far shore, there appears to be a low wall with trees beyond it. The camera is stationary in both shots.
Oldest surviving cricket film.
A film directed by the pioneer of cinema in Azerbaijan, Alexandre Michon, it was filmed on August 4, 1898 in Balakhany, Baku and presented at the International Paris Exhibition. The film was shot using a 35mm film on a Lumière cinematograph. Silent movie. (Wikipedia)
The Glenroy Brothers perform a portion of their vaudeville act, "The Comic View of Boxing: The Tramp & the Athlete".
Two children, Ploetz and Larella, perform an Italian peasant dance.
"A company of little darkies showing off their paces to the music of the banjo.".
The Boxing Kangaroo is an 1896 British short black-and-white silent documentary film, produced and directed by Birt Acres for exhibition on Robert W. Paul’s peep show Kinetoscopes, featuring a young boy boxing with a kangaroo. The film was considered lost until footage from an 1896 Fairground Programme, originally shown in a portable booth at Hull Fair by Midlands photographer George Williams, donated to the National Fairground Archive was identified as being from this film.
Johan Carl Joensen, a Danish colonial manager in Greenland, drives his dog sled in Copenhagen’s Fælledparken. (stumfilm.dk)
R.W. Paul's early footage showing the new Blackfriars Bridge. It had been opened by Queen Victoria in 1869 for both road and rail, and showcases the distinctive Venetian Gothic ironwork.