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An astronomer has a terrifying dream.
One of the greatest of black art pictures. The conjurer appears before the audience, with his head in its proper place. He then removes his head, and throwing it in the air, it appears on the table opposite another head, and both detached heads sing in unison. The conjurer then removes it a third time. You then see all three of his heads, which are exact duplicates, upon the table at one time, while the conjurer again stands before the audience with his head perfectly intact, singing in unison with the three heads upon the table. He closes the picture by bowing himself from the stage.
Santa arrives at a house on Christmas Eve to deliver his presents for the children.
A skeleton dances joyously, often collapsing into a heap of bones and quickly putting itself back together.
St. Anthony is tempted by visions of women, including one that is transformed from the image of Jesus Christ Himself!
In this scene is shown a magician behind an ordinary table, upon which he suddenly and mysteriously causes to appear a large box, into which he leaps. The sides of the box fall to the ground, but instead of containing the magician a lively clown steps forth who further mystifies the audience by causing the box to disappear, and in its place is seen a fully laid table with a smoking dinner, to which the clown applies himself. The table, however, suddenly disappears much to the astonishment of the clown, who is confronted by the magician in the garb of Mephistopheles. This he suddenly changes to that of a sculptor, and in the background is seen a pedestal with the bust of a young lady, which comes to life as the sculptor applies the mallet and chisel.
Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.
The scene opens in an artist's studio where the unfinished statue of William Tell stands upon a pedestal. A clown appears and sticks a clay arm and clay head on the statue, thus completing it. He places a large brick on top of the head to make it stick. When he turns his back the statue turns into a living representation of William Tell. (Edison Catalog)
With the cameraman atop a moving train car the viewer is given a one minute glimpse of a French urban area.
Earliest known example of African American intimacy on screen.
A magician performs a series of magic tricks involving a boy and a box.
Two old female mattress makers get into a fight until a passing man attempts to break them up.
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A man plays the trombone, to which is attached a saw.
Panorama during the ascent of the Eiffel Tower.
An oddly routed parade.
Come Along, Do! is an 1898 British short silent comedy film, produced and directed by Robert W. Paul. The film was of 1 minute duration, but only forty-some seconds have survived. The whole of the second shot is only available as film stills. The film features an elderly man at an art gallery who takes a great interest in a nude statue to the irritation of his wife. The film has cinematographic significance as the first example of film continuity. It was, according to Michael Brooke of BFI Screenonline, "one of the first films to feature more than one shot." In the first shot, an elderly couple is outside an art exhibition having lunch and then follow other people inside through the door. The second shot shows what they do inside.
The Lumière catalog sold this title as 13 individual, one-scene films, allowing exhibitors to choose which films they wanted to purchase and how to arrange them in their programs. Lumière catalog no. 933 through 945.
A blind man begging for change tries to outsmart a cop.
President Félix Faure, escorted by horsemen, marching past the troops at Longchamp.
A review of engineers at the Longchamp parade, filmed by the Lumière brothers.
A group of young women and children enjoy a rowdy picnic in the countryside.
The end of the Longchamp parade and departure of the President, filmed by the Lumière brothers.
A film directed by the pioneer of cinema in Azerbaijan, Alexandre Michon, it was filmed on August 4, 1898 in Balakhany, Baku and presented at the International Paris Exhibition. The film was shot using a 35mm film on a Lumière cinematograph. Silent movie. (Wikipedia)
During the Alaska gold rush, one way to reach the Klondike was over the Chilkoot Pass. A stationary camera is placed to see a ways down the curving trail. A pack train comes into view and passes in front of us, led by a man on horseback. Eight loaded mules follow, then another cowboy on horseback and a man walking, then eight more laden mules, another cowboy, then nine more mules, a cowboy, and still the pack train stretches as far as the eye can see. A solitary man watches from atop a hillock.
A method soldier boys have for amusing themselves in their leisure moments. New comrades are frequently initiated by the old-fashioned sport of tossing in a blanket. The newly arrived recruit, who is the victim of their sport, enjoys himself, perhaps, less than the other participants.
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He sits asleep at a bare table; old witch enters, raps three times, then disappears; cavalier sees table spread for a sumptuous repast. Mephistopheles appears; then the old witch, who suddenly changes to a beautiful young girl. The changes and magical appearances are startling and instantaneous.
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