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A street level view from the sidewalk, looking along the length of 23rd Street. Following actuality footage of pedestrians and street traffic, the actors, a man in summer attire and a woman in an ankle-length dress, walk toward the camera.
Time-lapse photography showing the one month-long demolition of the Star Theatre in New York.
The first successful motion picture in natural color, filmed with Kinemacolor. It is an 8 minute short film directed by George Albert Smith of Brighton, showing people doing everyday activities. It is ranked of high historical importance. Kinemacolor later influenced and replaced by Technicolor, which was used from 1916 to 1952.
The film is in four parts. First, the camera pans the Kremlin and Marshal's Bridge. Sleds are parked in rows. Horse-drawn sleighs run up and down a busy street. Next, we visit the mushroom and fish market where common people work and shop. In Petrovsky Park are the well-to-do. Men are in great coats. A file of six or seven women ski past on a narrow lane. Last, there's a general view of Moscow. A slow pan takes us to a view above the riverfront where the film began.
A Trip Down Market Street is a 13-minute actuality film recorded by placing a movie camera on the front of a cable car as it travels down San Francisco’s Market Street. A virtual time capsule from over 100 years ago, the film shows many details of daily life in a major American city, including the transportation, fashions and architecture of the era. The film begins at 8th Street and continues eastward to the cable car turntable, at The Embarcadero, in front of the San Francisco Ferry Building. It was produced by the four Miles brothers: Harry, Herbert, Earle and Joe. Harry J. Miles cranked the Bell & Howell camera during the filming.
Early short showing the titular park in around 2 minutes.
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A reenactment of a dirigible explosion in Paris.
It's common knowledge that Scotsmen are macho enough to pull off wearing a skirt - perhaps it's all that caber-tossing. This disarmingly simple film concentrates on the tartan cloths of various clans rather than the men who wore them, and is an early filmic reminder of their huge importance to both Scottish national identity and the thriving tourist industry north of the border. The film's unique selling point was that pioneering filmmaker G. A. Smith showed off the vibrant designs in Kinemacolor, among the earliest colour film processes that didn't involve meticulous hand-painting. And no dangly bits in sight.
Consisting of a single shot, Spiders on a Web is one of the earliest British examples of close-up natural history photography. Made by one of the pioneers of the British film industry, G.A. Smith, this short film details spiders trapped in an enclosure, and despite the title, does not actually feature a web.
This charming short film is surprisingly technically advanced for its time, using a mechanical spider to demonstrate how the creatures spin the threads to create their webs. Suddenly the spider lifts up all of its legs, allowing itself to be dragged through the air, an effect that is both amusing and disarming, before gracefully descending through a series of mid-air acrobatics. Percy Smith believed he could cure people of their arachnophobia with his short films showing enlarged replicas of spiders, and certainly most viewers would be more delighted than scared by the mechanical star of this short. The final image of a real spider scrabbling around its web might be less endearing, however.
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This shows the heart of one of the tremendous drifts in the east end of Galveston. Hundreds of dead bodies are concealed in these immense masses, and at the time the picture was taken the odor given out could be detected for miles. The subject shows a gang of laborers clearing away the debris in the search for corpses, one of which was discovered while the picture was being taken. (Edison film catalog)
Film showing the results of an earthquake in San Francisco on 18th April 1906 which caused great destruction.
A gentleman is here shown partaking of a little lunch of bread and cheese, and occasionally is seen to glance at his morning paper through a reading glass. He suddenly notices that the cheese is a little out of the ordinary, and examines it with his glass. To his horror, he finds it to be alive with mites, and, in disgust, leaves the table. Hundreds of mites resembling crabs are seen scurrying in all directions. A wonderful picture and a subject hitherto unthought of in animated photography. Notable for being the first science film made for the general public.
The Duke and Duchess of Cornwall and York travelled to New Zealand in 1901 to thank New Zealanders for their contribution to the Boer War. Only a short fragment remains of a much longer film.
Diving in the Swimming Pool at Palm Beach, Florida.
By the Gordon Highlanders. In the foreground are two Creusot guns, manned by the Dutch burghers. Smoke effects are due. The Highlanders are seen in the distance, approaching rapidly, easily distinguished by their kilts and bare legs. They sweep all before them, leaving the guns smoking and deserted as they pursue the flying Boers.
New Zealand's oldest surviving film shows a troop of horsemen from the Boer War Second Contingent in camp at one of the open days held before their departure at Newtown Park, Wellington, likely 13 January 1900. (https://ngataonga.org.nz/)
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