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Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.
A cameraman wanders around Moscow, Kharkiv, Kyiv and Odesa with a camera slung over his shoulder, documenting urban life with dazzling invention.
The clock strikes midnight, the bats fly from the belfry, a dog howls at the full moon, and two black cats fight in the cemetery: a perfect time for four skeletons to come out and dance a bit.
Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.
London, 1929. Frank Webber, a very busy Scotland Yard detective, seems to be more interested in his work than in Alice White, his girlfriend. Feeling herself ignored, Alice agrees to go out with an elegant and well-mannered artist who invites her to visit his fancy apartment.
The vaudeville act of Harriet and Queenie Mahoney comes to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. When Eddie meets Queenie, he soon falls in love with her—but she is already being courted by Jock Warriner, a member of New York high society. Queenie eventually recognises that, to Jock, she is nothing more than a toy, and that Eddie is in love with her.
Inspired by Lindbergh's flight from New York to Paris, Mickey builds a plane to take Minnie for a trip.
During the Florida land boom, the Marx Brothers run a hotel, auction off some land and thwart a jewel robbery.
Thymian Henning, an innocent young girl, is raped by the clerk of her father's pharmacy. She becomes pregnant, is rejected by her family, and must fend for herself in a harsh, cruel world.
A scientist discovers that there's gold on the moon. He builds a rocket to fly there, but there's too much rivalry among the crew to have a successful expedition.
Stan and Ollie play door-to-door Christmas tree salesmen in California. They end up getting into an escalating feud with grumpy would-be customer James Finlayson, with his home and their car being destroyed in the melee.
Mickey seeks shelter from a storm in a house that turns out to be haunted. The skeletons command him to play the organ; they dance and play along.
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A lyrical portrait of Amsterdam and its changing appearance during a rain-shower.
A fisherman and a rising lawyer who grew up together as brothers fall in love with the same woman.
Two families embark on a pleasant Sunday picnic but manage to run into a variety of issues with their temperamental automobile. Each incident requires repeated exits and reboardings by Laurel, Hardy, their wives and grouchy, gout-ridden Uncle Edgar.
While changing clothes in a getaway car, escaped convicts Stan and Ollie mistakenly put on each other's pants. They spend the rest of the film trying to exchange pants in various unlikely settings.
Stan and Ollie arrive as new inmates at a prison after apparently taking part in a hold-up raid, a raid they tell a prison officer they were only watching. The usual mayhem ensues.
The story involves Stan and Ollie as two musicians attempting to travel by train to Pottsville. It was only their second sound film, but a silent version was also made for cinemas at the time that were not equipped to show talkies.
Stan and Ollie try to sleep in a room-for-rent. Ollie, suffering from a cold, coughs frequently, while Stan snores. Both of them have trouble falling asleep because of this. They try to solve their problems, but this results in total chaos.
An unimpressive but well-intentioned man is given the chance to marry a popular actress, of whom he has been a hopeless fan. But what he doesn't realize is that he is being used to make the actress' old flame jealous.
One of the last great German Expressionist films of the silent era, Joe May’s Asphalt is a love story set in the traffic-strewn Berlin of the late 1920s. Starring the delectable Betty Amann in her most famous leading role, Asphalt is a luxuriously produced UFA classic where tragic liaisons and fatal encounters are shaped alongside the constant roar of traffic.
Mickey Mouse is working as a hot dog vendor at a carnival when he meets and quickly falls for Minnie the "Shimmy Dancer". That night, Mickey and a pair of alley cats serenade her by performing the song "Sweet Adeline", much to the dismay of Kat Nipp, who is trying to sleep. The short marks Mickey's first speaking appearance.
During the Irish revolution, a family earns a big inheritance. They start leading a rich life, forgetting what the most important values of life really are. At the end, they discover they will not receive that inheritance; the family is destroyed and penniless. They must sell their home and start living like vagabonds.
A soldier returns to Kyiv after surviving a train crash and encounters clashes between nationalists and collectivists.
Laurel and Hardy try to entertain a female neighbor, unbeknown to Hardy’s wife.
Mary, a poor farm girl, meets Tim just as word comes that war has been declared. Tim enlists in the army and goes to the battlefields of Europe, where he is wounded and loses the use of his legs. Home again, Tim is visited by Mary, and they are powerfully attracted to each other; but his physical handicap prevents him from declaring his love for her. Deeper complications set in when Martin, Tim's former sergeant and a bully, takes a shine to Mary.
An early impressionist short featuring a woman who dreams of, and escapes into, an autumn forest.
The demons of hell play music for Satan, whose delight turns to wrath when an insubordinate refuses to become food for Cerberus.
H₂O (1929) is a short silent film by photographer Ralph Steiner. It is a cinematic tone poem showing water in its many forms - concentrating on patterns of movement, shading and texture.
Also known as The Old and the New (Staroye i Novoye), The General Line illustrates Lenin’s stated imperative that the nation move from agrarian to industrial culture in an epic ode to farm-collectivization progress.