YouTube Premium (coming soon)Is That Black Enough for You?!?(2022)
A look at the Black revolution in 1970s cinema, from genre films to social realism, from the making of new superstars to the craft of rising auteurs.
Directed by Elvis Mitchell
A look at the Black revolution in 1970s cinema, from genre films to social realism, from the making of new superstars to the craft of rising auteurs.
Documentary film on events that happened on August 28th in African-American history, shown at the Smithsonian African-American History Museum.
The incredibly powerful and timely true story of the all-black Twenty-Fourth United States Infantry Regiment, and the Houston Riot of 1917. The Houston Riot was a mutiny by 156 African American soldiers in response to the brutal violence and abuse at the hands of Houston police officers.
Following the roots and evolution of racist concepts in the United States in order to understand today's society.
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The story of Jack Johnson, the first African American Heavyweight boxing champion.
The history of warfare as it relates to global Black society, broken down into 7 chapters that examines the ways the system of racism wages warfare from a historical, psychological, sexual, biological, health, educational, and military perspective.
A Mother struggles to deal with the unknown condition of her incarcerated son during the worst pandemic in over 100 years.
When the Civil War ended in 1865, more than four million slaves were set free. Over 70 years later, the memories of some 2,000 slave-era survivors were transcribed and preserved by the Library of Congress. These first-person anecdotes, ranging from the brutal to the bittersweet, have been brought to vivid life in this unique HBO documentary special, featuring the on-camera voices of over a dozen top African-American actors.
For 'Et les chiens se taisaient' Maldoror adapted a piece of theatre by the poet and politician Aimé Césaire (1913–2008), about a rebel who becomes profoundly aware of his otherness when condemned to death. His existential dialogue with his mother reverberates around the African sculptures on display at the Musée de l'Homme, a Parisian museum full of colonial plunder whose director was the Surrealist anthropologist Michel Leiris.
Maurice Hines, a charming, gay African-American entertainer navigates the complications of show business while grieving the loss of his more famous, often estranged younger brother, tap dance legend Gregory Hines.
Harlem, 1926. A “sweetman” Zeddy, living off a woman, brings a country girl he’s trying to impress to a gay-owned cabaret. There he meets a friend, Jake, whose girlfriend, Congo Rose, is the singer there. Drama swirls around the characters as Zeddy confronts the cabaret owner, about his sexuality. Congo Rose, seeking to reignite her man’s fading interest, puts on a performance, with her Pansy Dancer, of a Bessie Smith song that seduces the whole room, especially Zeddy.
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75% of all enslaved Africans coming to America came in through Beaufort and the sea islands of South Carolina. This beautiful and picturesque tourist destination, by its unique history is the epicenter of the Gullah culture and the foundation of African American history; the result of the mingling of West African slaves with the plantation culture awaiting them in America.
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In 1936, 18 African American athletes dubbed the "black auxiliary" by Hitler defied Nazi Aryan Supremacy and Jim Crow Racism to win hearts and medals at the 1936 Summer Olympic Games in Berlin. The world remembers Jesse Owens. But, Olympic Pride American Prejudice shows how all 18 are a seminal precursor to the modern Civil Rights Movement.
Seville, Spain, 14th century. A group of black slaves brought from Africa form the Hermandad de los Negros, a Holy Week brotherhood that has survived over the centuries, despite the opposition of the powerful; still active, it is one of the oldest institutions in Europe.
Documentary short film dramatizing the efforts of a black farmer and his family to help the American war effort by increasing production.
Through first person accounts and searing archival footage, this documentary tells the story of the local movement and young Student Nonviolent Coordinating Committee (SNCC) organizers who fought not just for voting rights, but for Black Power in Lowndes County, Alabama.
This documentary captures the sounds and images of a nearly forgotten era in film history when African American filmmakers and studios created “race movies” exclusively for black audiences. The best of these films attempted to counter the demeaning stereotypes of black Americans prevalent in the popular culture of the day. About 500 films were produced, yet only about 100 still exist. Filmmaking pioneers like Oscar Micheaux, the Noble brothers, and Spencer Williams, Jr. left a lasting influence on black filmmakers, and inspired generations of audiences who finally saw their own lives reflected on the silver screen.
This film highlights moments in the long and rich African American cinema history in relation to social and political events, and how it affected Black viewers of the time.
Le Chevalier de Saint-Georges overcame class and race prejudices in 18th century France to become a musical genius who would inspire Mozart.
A man that is a stranger, is an incredibly easy man to hate. However, walking in a stranger’s shoes, even for a short while, can transform a perceived adversary into an ally. Power is found in coming to know our neighbor’s hearts. For in the darkness of ignorance, enemies are made and wars are waged, but in the light of understanding, family extends beyond blood lines and legacies of hatred crumble.
Until 1942 around 100 German propaganda films were made, that were set in Africa. They were produced in Germany, with Black Germans and Africans living in Germany. Who were these Black extras and how did they come to Germany? Why did they work in film-making? Which roles did they play and what messages did they send? What were their daily experiences as Black people during the Weimar Republic and the Nazi Regime?
John Henrik Clarke talks about Black history.
Prepare for an eye-opening journey into the heart of identity and division. 'Tethers' is a groundbreaking interview-style documentary that delves deep into the complex tapestry of cultural differences, racial tension, and the ethnocentric divide between Africans, African Americans, and Foundation Black Americans.
A haven for Black intellectuals, artists and revolutionaries—and path of promise toward the American dream—Black colleges and universities have educated the architects of freedom movements and cultivated leaders in every field. They have been unapologetically Black for 150 years. For the first time ever, their story is told.
Documents the race riot of 1921 and the destruction of the African-American community of Greenwood in Tulsa, Oklahoma. With testimony by eyewitnesses and background accounts by historians.
How does a state with the motto “Live Free or Die” and a celebrated legacy of abolitionism confront and understand its participation in slavery, segregation, and the neglect of African-American history? What happens when we move toward a fuller understanding of our history by including all voices? No other documentary has explored Black history in New Hampshire, no less Black history in New England. Shadows Fall North brings to light a forgotten history and continues a dialogue that is more important today than ever before. Without acknowledging our past, accepting it and embracing it, we will never move forward in our actions about race in this country.
Country music has always been Black music. For Love & Country examines the genre's past through the lens of a new generation of Black artists claiming space in Nashville, and transforming country music in the process.
