Shortly after Muzamil was born, the village's holy man predicts that he will die at age 20. Muzamil's father can't stand the curse and leaves home. Sakina raises her son as a single mother, overly protective. One day, Muzamil turns 19.
Wracked by guilt after covering up a murder, Mona — a northern Sudanese retired singer in a tense marriage — tries to make amends by taking in the deceased’s southern Sudanese widow, Julia, and her son, Daniel, into her home. Unable to confess her transgressions to Julia, Mona decides to leave the past behind and adjust to a new status quo, unaware that the country’s turmoil may find its way into her home and put her face to face with her sins.
23-year-old Tom Allen is all set for a 9–5 career in IT. Trouble is, he can’t help wondering whether there’s more to life. So Tom sets off on the ultimate adventure: cycling around the world. Despite his lack of experience, Tom cycles and camps his way across three continents, encountering a vivid cast of friends and foes. But the journey takes an unlikely detour when he falls in love with Tenny, a feisty Iranian-Armenian. When her parents forbid her from taking to the open road, Tom is faced with the ultimate dilemma: stay with Tenny or continue his adventure alone? Janapar – named after the Armenian word for journey – is an honest and life-affirming tale of finding what you’re looking for when you least expect it.
When a mysterious train accident forces a man to change his plans, he is confronted with a series of choices. Each decision he makes leads to a different scenario, each one filmed by a different director with a different cast.
Filmmakers Ibrahim, Suliman, Eltayeb and Manar, close friends for many years, left their motherland in the sixties and seventies to study film abroad and founded the Sudanese Film Group in 1989. After years of distance and exile, they are reunited, hoping to finally make their old dream come true: to bring back cinema to Sudan by reopening the Halfaia Cinema, a dilapidated theater in Khartoum.
Merowe Dam in North Sudan. Maher works in a traditional brickyard fed by the waters of the Nile. Every evening, he secretly wanders off into the desert to erect a mysterious construction made of mud. Despite a disturbing wound in his lower back that seems to be eating away at his skin, he continues his labor day after day. While the Sudanese people rise to claim their freedom, his mud creation starts slowly to take a life of its own.
Gubara was proud of the first color film in African cinema, which attempts to give an African response to the city symphony genre by capturing disparate images of daily life in Khartoum and setting it to music, particularly romantic Arabic songs.
Although perhaps without foresight, Gubara seemingly set out to capture a historic picture of a city that today has completely vanished. He reveals to us the livelier place that Khartoum was before fateful circumstances turned it into a tough, surviving shell of its former self.
Sudan, Southern Kordofan, the Nuba Mountains in Africa. Scenes from the forgotten war that the fighters of the Nuba people have held since 2011 against the government of President Omar al-Bashir and the Sudanese army, which crudely show the hard daily life of Hannan, a brave woman fighting for the survival of her family; Jordania, a promising student; Mosquito, a reckless journalist; and Al-Bagir, a rebel leader.
When Isra’a discovers she is expecting another baby amid the civil war in Yemen, she and her husband decide she should have an abortion. But this creates enormous difficulties – in their relationship and elsewhere. A moving story from an all-too-often forgotten crisis region.
Benjamin and Awad run Sudan's national film archive. The two men, who have worked together for more than 40 years, are devoted to protecting their country's visual memories. Home to some 13,000 films, the archive preserves pivotal moments of Sudan's turbulent history and is one of the largest in Africa. But the archive is in a fragile state. Following years of neglect and poor storage, many film reels are turning to dust in Sudan's unforgiving tropical climate. The two friends are determined to turn it around and embark on a mission to save the old films. Will they succeed in preserving Sudan's visual history for future generations before it's too late?
The elder filmmaker makes a strong statement against the practices of circumcision as they performed around Africa and particularly Sudan. The film is typical of the later Gubara films which are determined to take a stand against the tyrannies that are still keeping people down. Gubara has stated that circumcision is "Nothing more than a bad habit".
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The film builds up a portrait of a great Sudanese film-maker, Gadalla Gubara. At eighty-seven, he is one of the pioneers of cinema in Africa. He has recently lost his sight but still continues to film life in Sudan as no one before him. Through his oeuvre, Gadalla reveals to us a Sudan both mysterious and misunderstood. Despite censorship and lack of financial support over sixty years, he has produced cinema that is independent and unique in a country where freedom of expression is a rare luxury.
The film denounces the popular practice of witchcraft. Some impostors are able to deceive the villagers into believing that their Sheikh had murdered one of his disciples after discovering he had an affair with his wife. The Sheikh is driven from the village.
The Dislocation of Amber was filmed in the city of Suakin, a formerly flourishing port in Sudan, now in ruins. Its history is one of famine and opulence, devastation and progress, rich trade and cultural damage. Shariffe used symbols to accentuate a sense of desertion and alienation hinted at in the title. This surreal masterpiece of Sudanese cinema features poems sung by the late Sudanese singer Abdel-Aziz Dawoud.
Sudan, in the late 1980s. People cross the desert on foot or cover long distances by car and truck. In Al Mahatta, Eltayeb Mahdi shows encounters at one of the large crossroads between the capital Khartoum in the centre of the country and Bur Sudan on the Red Sea.
When tribal feuds ignite a firestorm of violence, three surgeons unite for peace. Francis grew up with little schooling during the Sudanese Civil War. Ajak is a Lost Boy who has returned to the tribe he fled as a child. Both men are proteges of Glenn, a grizzled, but brilliant American surgeon.
Sudanese filmmaker, Ibrahim Shaddad provides a dramatic and powerful account of the trials and tribulations of a Sudanese villager in an alien, large city. Shot entirely without dialogue, the film's innovative use of sound helps tell the story of a shepherd who leaves his wife and herd to settle in a nearby town. Since its premiere at the Alexandria Film Festival, Insan has been shown in a number of festivals in the Middle East and Europe. This film is a prime example of experimental Arab cinema.
A Kasha is a universal offbeat love story set in a time of civil war - but the war is in Sudan and it is happening right now. We follow Adnan, an AK47-loving rebel, his long-suffering love interest, Lina, and the armydodging Absi, over a fateful 24 hours in a rebel-held area of Sudan.
The story of the people of the Blue Nile and Nuba Mountains in Sudan, showing how they deal with civil war. Traditionally music has always been part of daily life in these areas, but now, it has a new role in a society challenge by war.
In 1928, Lady Heath became the first person to fly solo from Cape Town to London. Eighty-five years later, Tracey Curtis-Taylor set out in a vintage biplane to fly that adventure again. Following Tracey as she retraces the journey, The Aviatrix is more than just a film about the rapture of flying – it’s a story about living life on your own terms and having the courage and determination to realise your greatest dreams.
Shot between 1986 and 1988, Kafi's Story captures Nuba life at the moment before it was engulfed in the Sudanese civil war. Kafi, a young man from the Nuba Mountains in Sudan, is one of the first to travel north to the capital city Khartoum in search of money. Only when he has money can he buy the cloth for a dress and so marry a second wife.
The well-known members of the legendary Blue Stars band around today's Khartoum streets and to their performances.
More than 65 cinemas were closed thirty years ago, and more than 100 years in the film industry without films, this documentary is about the history of cinema in Sudan after recent successes in the independent film industry.
After coming to Norway as a refugee, Ahmed Umar has become a renowned artist. Proud of his roots, his art mixes Sudanese and western influences. In 2015, he came out as gay on Facebook, making him the first openly gay man from Sudan, this causes a massive outrage in the Sudanese community.
Suzi (Suzannah Mirghani) is the voice of her generation—the virtual voice, that is.
Sudanese-American poets and musicians engage in performances and a conversation around third culture identity and the revolution in Sudan, from which they have been physically cut off.
Film by Sudanese Filmmaker Gadalla Gubara. Mentioned in the Dictionary of African Filmmakers by Roy Armes, please if you have some information about this film consider adding it to TMDB or letting a comment in my list https://letterboxd.com/p_o_l/list/films-ive-added-to-tmbd/.