Verwandte Listen: Filme auf Schwedisch | 1920 | 1930 | 1940 | 1950 | 1960 | 1970 | 1980 | 1990 | 2000 | 2010 | 2020
A stranger comes to work at widow Halla's farm. Halla and the stranger fall in love, but when he is revealed as Eyvind, an escaped thief forced into crime by his family's starvation, they flee and become two of the many outlaws of Iceland's mountains.
A gardener's son has fallen in love with the daughter of one of the workers at the nursery, and the two are married. The gardener then kicks his progeny off the property and begins to act despicably toward his son's wife.
Maria lives with her alcoholic father in a cabin the forest. One day she is seduced by the local land owner after he gives her a ring. Shortly afterwards he decides to leave the area and travel to Stockholm.
- Noch keine Beschreibung / Details vorhanden. -
- Noch keine Beschreibung / Details vorhanden. -
Based on the novel Lourdes by Émile Zola.
An unemployed man encounters trouble when he tries to find a way to help his sick wife.
The story is that of a conniving countess coming between a gay sculptor, Claude Zoret, and his bisexual model and lover, Mikaël, ultimately leading to Zoret's death in a raging storm at the base of a statue of Mikaël as the mythological Icarus. The film is missing 19 minutes of run time.
The farmer Knut Husaby has a daughter, Aslaug, who is the most beautiful girl in the village. Many boys are after her, but Knut and his two sons drive them away, if they come too close to the farm. Aslaug is secretly in love with Tore Naesset. But he is only a smallholder's son, and when he asks for Aslaug's hand, her father just laughs at him. Instead her father wants Aslaug to marry Ola Thormundson, a gawky boy, who is the son of the wealthiest farmer in the village. Aslaug brings her family's cattle to the Husaby summer farm up in the mountain. Only one road leads to the summer farm, and it passes right by the main farm. When Tore returns from a visit to Aslaug in the mountains, Knut and his sons beat him black and blue. As it's impossible for him to use the road anymore, Tore has to figure out another way to go to Aslaug. Next Saturday he crosses the fiord in a rowing-boat. He stops at a fifty meter high wall of rock, and starts climbing it, hoping to reach Aslaug at the top.
After the respectable Dr. Monro was found dead, the housekeeper and two engineers testify in court. A case of commercial delinquency and bribery is reconstructed on that occasion. Sadly only about half the film exists today.
A man undergoing a mid-life crises suddenly becomes irresponsible and behaves in reckless manner. His self-destructive habits not only creates havoc in his home life, it leads to other problems.
A 1917 Swedish drama film directed by Victor Sjöström, based on a 1913 novel by Selma Lagerlöf. It was the first in a series of successful Lagerlöf adaptions by Sjöström, made possible by a deal between Lagerlöf and A-B Svenska Biografteatern (later AB Svensk Filmindustri) to adapt at least one Lagerlöf novel each year. Lagerlöf had for many years denied any proposal to let her novels be adapted for film, but after seeing Sjöström's Terje Vigen she finally decided to give her allowance.
Ruth has had a happy childhood until her family falls on hard time. Not wishing to be a burden she decides to get a job but she's having a hard time getting one until she gets the idea to dress up as a boy and get a job as a milkman.
- Noch keine Beschreibung / Details vorhanden. -
- Noch keine Beschreibung / Details vorhanden. -
Two smugglers meet two customs officers at sea, and happen to kill them. The story continues fifteen years later when a son of one of the officers and a smuggler's daughter fall in love with each other.
- Noch keine Beschreibung / Details vorhanden. -
- Noch keine Beschreibung / Details vorhanden. -
A series of family entanglements develop around the changing will of Roger Bernhuses de Sars (Karl Mantzius), who wants his heritage to go to his illegitimate daughter Blenda (Greta Almroth). But love and fate also plays their cards. One of the most surprising films of Sjöström, close to Stroheim and some of the silent comedies of Lubitsch. Belonging to the golden age of Swedish film, this comedy offers one of the earliest explorations of the relationship between masters and servants on the screen, later developed by French masters like Renoir and Guitry. After acting in the diptych of Thomas Graal, Sjöström shows that he also dominates the “light genre” as director.
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