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Le Manoir du diable or The House of the Devil, released in the United States as The Haunted Castle and in Britain as The Devil's Castle, is an 1896 French short silent film directed by Georges Méliès. The film tells the story of an encounter with the Devil and various attendant phantoms. It is intended to evoke amusement and wonder from its audiences, rather than fear. However, because of its themes and characters, it has been considered to technically be the first horror film, as well as potentially the first vampire film. The film opens with a large bat flying into a medieval castle, circling a room, and then suddenly changing into the Devil. Producing a cauldron, Mephistopheles conjures up a young girl and various supernatural creatures in an effort to scare two cavaliers, eventually succeeding in causing one to flee. Ultimately the remaining cavalier is confronted face-to-face by the Devil before reaching for and brandishing a large crucifix, which causes the Devil to vanish.
Georges Méliès makes a woman disappear, then reappear.
Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.
A man has a fantastical nightmare involving, among other things, a grinning malevolent moon.
A brief fantasy tale involving a strange fairy who can produce and deliver babies coming out of cabbages. This film is lost or never existed. Copies of it online are actually the 1900 remake.
A man tries to get a good night's sleep, but is disturbed by a giant spider that leaps onto his bed, and a battle ensues in hilarious comic fashion.
Angelic and demonic serpentine dances from dawn of cinema. The dancer is Loie Fuller; the pioneer modern dancer. Recorded in Paris, and hand-colored frame by frame.
Three men are sitting around a table, two of them playing a game of Écarté. When the game is over, a domestic serves drinks.
Strong-man Eugene Sandow flexes his muscles and strikes a few poses in front of a black background. This was a short film shot by William K.L. Dickson and produced in Thomas Edison's Black Maria studio.
Three friends are playing cards in a beer garden. One of them orders drinks. The waitress comes back with a bottle of wine and three glasses on a tray. The man serves his friends. They clink glasses and drink. Then the man asks for a newspaper. He reads a funny story in it and the three friends burst out laughing while the waitress merely smiles.
The first travelling shot.
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A trains arrives at Perrache station and people disembark.
Several competitors take part in a friendly sack race, with widely varying degrees of success.
Friends and relatives playing a game of boules, arguing about who's team is winning.
The facade and the traffic in front of the Cinematographe in London, close to the large ensign of the historical Empire Theatre, in London.
A train arrives at Perrache station. We see the view from aboard the train.
A mother takes her children for a walk, lifts her baby girl out of the buggy and gently sets her down to the ground. She then moves a few steps away and calls her name, to demonstrate that her baby can walk.
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Two babies are shown seated next to each other, in high chairs, apparently enjoying themselves. Suddenly one snatches a toy from the other and they indulge in hair-pulling.
Short of the Tuileries.
Documentary of Paris.
Three young women dance in Drury Lane, London.
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Walking four abreast, in groups of six rows, 144 of Chicago's finest parade past a stationary camera. Each of the six groups that pass is escorted by an officer. All are men, all are white, all look tall, all wear identical high-buttoned uniforms and badges and carry a nightstick. Almost all sport mustaches. Behind the police comes a horse-drawn carriage.
A short film from the Lumière brothers, filmed in a Dresden street.