After an untimely death, a newly dead New England couple seek help from a deranged demon exorcist to scare an affluent New York family out of their home.
Tang Lung arrives in Rome to help his cousins in the restaurant business. They are being pressured to sell their property to the syndicate, who will stop at nothing to get what they want. When Tang arrives he poses a new threat to the syndicate, and they are unable to defeat him. The syndicate boss hires the best Japanese and European martial artists to fight Tang, but he easily finishes them off.
After the raging fire, landmarks are rediscovered, artificial frontiers carved into the earth. They are stones founded in history by almost extinct ways of doing, where word is law. As nature renews itself, Helena reestablishes the limits of her property and preserves a legacy in which the material is mixed with the human, returning to the roots of an intangible fortune.
Mobile homes have long been an affordable option for people who struggle with the cost of other housing in the United States. But now the economy of mobile home parks is under threat as private equity firms are buying up properties and looking to squeeze more money out of mobile home owners. Filmmaker Sara Terry uses this backdrop to explore urgent class issues that resonate across America, and especially in the high-priced rental market of New York City.
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