Bestowed with superhuman strength, a young mortal named Hercules sets out to prove himself a hero in the eyes of his father, the great god Zeus. Along with his friends Pegasus, a flying horse, and Phil, a personal trainer, Hercules is tricked by the hilarious, hotheaded villain Hades, who's plotting to take over Mount Olympus!
Born of a god but raised as a man, Perseus is helpless to save his family from Hades, vengeful god of the underworld. With nothing to lose, Perseus volunteers to lead a dangerous mission to defeat Hades before he can seize power from Zeus and unleash hell on earth. Battling unholy demons and fearsome beasts, Perseus and his warriors will only survive if Perseus accepts his power as a god, defies fate and creates his own destiny.
Perseus tries to live a quieter life as a village fisherman while - dangerously weakened by humanity's lack of devotion - the gods are losing control of the long-imprisoned Titans and their ferocious leader, Kronos.
After the 12 Gold Saints sacrifice their lives to destroy the Wailing Wall, the Bronze Saints enter the deepest realm of the Underworld, Elysion, where they face off aganist Hades's two most powerful servants, The Twin Gods, Hypnos and Thanatos, before they can reach Hades for the final battle.
When villagers begin disappearing it is discovered that they had fallen through a crack in the earth which goes straight to Hades. Hercules once again comes to the rescue and faces one of his most difficult challenges, and must prove himself as a man as well as a god. "Hercules in the Underworld" is the fourth made for TV movie in the series Hercules: The Legendary Journeys.
Director helmut Dietls and Patric Susskinds illustrate a legendary story of two lovers who cant keep themselves away from death.
Raul is torn between life and death, while he is traveling through infernal labyrinths.
A multi-award winning Horror Compilation inspired by Dante's Inferno. 9 diverse filmmakers deliver a twisted, micro-budget mix of blood and violence, comedy and carnage, demonic creatures and real world terrors, social commentary and WTF madness.
A Greek warrior must travel to the Underworld and battle killer hellhounds in order to rescue his murdered bride from the clutches of Hades.
Dante's Hell Animated is a real and truthful epic animation film that embarks Dante Alighieri's journey through the first part of the afterlife, Hell. It is a compelling four-quadrant film presented circle by circle in a chronological descent to the center of Hell, and to the exit into Purgatory. Dante's Hell Animated comes in two versions, one recited in primitive Italian in Dante's own words, and another narrated in English better understanding in this non-original language. Dante is guided by his hero Virgil through each circle of Hell and their subdivisions until they reach the center of the Earth and escaped to the other hemisphere into Purgatory. It features over 50 original color illustrations from the upcoming Dante's Hell comic book and magazine series, put together in a series of animation clips that will delight young and mature audiences.
Hercules, having agreed to restore justice to Mycenae, confronts evil Prince Myles. The villain is invested with power over giant bronze warriors by his mother Pasiphaë, a sorceress in Hades. Myles assassinates the king and abducts his cousin, Queen Ate, through whom he plans to inherit the throne. Although Zeus temporarily removes Hercules' strength for killing Eurystheus, an innocent man framed by Myles, the god restores his powers. Hercules then saves Ate and destroys Myles, Pasiphaë, and the giant warriors.
First seen at La Monnaie in Brussels on 13 May 1998, this production of Monteverdi’s L’ORFEO seen through the eyes of Trisha Brown and René Jacobs has become an operatic classic in a few short years. This is doubtless because it offers a total symbiosis of music, text and movement – described by the critic of the Daily Telegraph of London as being ‘as close to the perfect dance opera as I have ever seen’. Or to quote Gilles Macassar in Télérama: ‘In the pit and onstage, the Brussels production has only one watchword: mobility, nimbleness, dexterity. The singers run, fly, whirl like dancers defying gravity. From the flies down to the footlights, the whole theatre is under a fantastic spell.’ For Christophe Vetter, on ConcertoNet: ‘This Orfeo can be seen again and again with immense pleasure. . . . René Jacobs’s conducting continues to arouse admiration for its precision, its stylistic rigour, its inexhaustible inventiveness and its feeling for the contrasts so vital to this repertoire.’.
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