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Land of Dreams
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Following Bellavista and Totó, Peter Schreiner completes his informal trilogy of epic, black-and-white digital-video essay-films with the utterly monumental Fata Morgana. Shot in the Libyan desert and in an abandoned building in Lausitz, Germany, it features a man (Christian Schmidt), a woman (Giuliana Pachner, from Bellavista) - and, glimpsed now and again, a guide (Awad Elkish.) They talk, they fall silent. Winds blow. The sun shines. The camera runs. What gradually takes shape is nothing less than a painstakingly concentrated attempt to understand the human condition through the lens of cinema. A lofty ambition, and one that demands a considerable leap of faith on the part of the audience: this film is sedate, "difficult", challenging, often apparently impenetrable. But anyone who has seen Schreiner's previous films will be aware that he is by any standards a major artist, one that can be trusted to find places that other directors may not even suspect exist.
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These movies are similar to Fata Morgana (story/era etc.):
Other movies with this title: Fata Morgana (DE, 1971), Fata Morgana (XC, 1976), Fata Morgana (RO, 1981), Fata Morgana (CA, 2002), Fata Morgana (FI/RU, 2004), Fata Morgana (DE, 2007), Fata Morgana (NL, 2011), Fata Morgana (CN/US, 2016), Fata Morgana (FR/UA, 2019)
