In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into animals and sent off into The Woods.
Two thirteen year-olds have always been incredibly close but they drift apart after the intimacy of their relationship is questioned by schoolmates. An emotionally transformative and unforgettable portrait of the intersection of friendship and love, identity and independence, and heartbreak and healing.
In the Nazi-occupied Netherlands during World War II, a Jewish singer infiltrates the regional Gestapo headquarters for the Dutch resistance.
A woman with a body writing fetish seeks to find a combined lover and calligrapher.
Two childhood friends are recruited for a suicide bombing in Tel Aviv.
Confronted by Apartheid and a father who was Minister of Censorship, Ingrid Jonker searched for a home, searched for love. With men like Jack Cope and André Brink she found much love, but no home. Later, in his first speech to the South African Parliament Nelson Mandela read her poem "The Dead Child of Nyanga" and addressed her as one of the finest poets of South Africa.
Two former lovers find themselves struggling for shared closure as one of them prepares to stage a play about the unspeakable tragedy that tore them apart decades ago.
Gerrit de Veer, a novice writer on a 16th-century Dutch merchant vessel, chronicles the daring mission to discover a trade route across the North Pole to Asia. But the heroic journey turns into tragedy when the ship gets stuck in the relentless, penetrating ice. The men are forced to spend the winter on the frozen, arctic wasteland of Nova Zembla, fighting polar bears, hunger and lethal temperatures. Their chances of making it until the following spring are virtually zero.
On a cold November day in 1983, beer magnate Alfred Heineken and his chauffeur Ab Doderer are abducted. What follows is the most infamous kidnapping case the Netherlands have ever known.
Johanna wants to change her life and quit the criminal gangs of the town of Oss in the 1930s. The harder she tries, the more she is involved.
Januari 1963. Ondanks het barre weer besluit het bestuur van het Friese Elfstedencomité, onder druk van de media, met de kleinst mogelijke meerderheid van stemmen, dat de Elfstedentocht doorgaat. Tussen de duizenden die een startbewijs veroveren bevinden zich soldaat Henk Buma (Cas Janssen), boerenzoon Sjoerd Lelkama (Lourens van den Akker), arbeider Kees Ferwerda (Chris Zegers) en verpleegkundige Annemiek (Chava voor in 't Holt). Alle vier hebben zo hun reden om deze tocht der tochten te rijden. Door de dramatische en heroïsche gebeurtenissen zal deze Elfstedentocht, ook voor Henk, Sjoerd, Kees en Annemiek, als een van de meest legendarische de geschiedenis ingaan.
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Doodslag (Dutch for "Manslaughter") is the story of Max, a paramedic who is repeatedly hindered in performing his duties by loutish behaviour. As his ambulance hurries towards a complicated childbirth, some youths prevent Max from reaching the distressed woman in labour. Spurred on by the emergency and the incendiary words of a TV pundit, he reaches a boiling point and forcefully hits one of the men obstructing his ambulance. Max's strike has far-reaching, unintended consequences.
After ruthless gangsters wrongfully accuse him of stealing from them, a retired criminal has 24 hours to creep back into his past life and retrieve a bag of coke before his fiancée is killed.
After his wife's death, a vallenato singer from Majagual, Sucre, decides to quit music and return his allegedly cursed accordion to his master. He is joined by Fermín Morales, a teenage boy who admires him and wishes to follow his footsteps. Together, they start a journey throughout several towns in Northern Colombia to Taroa, in La Guajira desert, where the singer's master supposedly lives.
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SWCHWRM is about a boy who wants to be writer and describes his experiences. He uses the pseudonym, V. Swchwrm, because he wants to remain unknown. He describes, among other things, the death of his grandfather and encounters with the queen. SWCHWRM is based on "Mijn avonturen door V. Swchwrm" by Toon Tellegen.
2 November 2004, shortly before nine in the morning. In The Hague, the report comes in that in Amsterdam Theo van Gogh has been murdered. All warning bells start ringing. With the country in flames, sometimes literally, politicians and officials in The Hague have to neutralise all sorts of known and unknown stings, and just when Van Gogh’s cremation seems to herald a period of relative peace, a second explosion follows: the attack on the Hofstad Network in the Laakkwartier in The Hague. A reconstruction of nine days of political high tension and flying dust, a decade after the assassination of the trendsetting filmmaker and TV presenter.
Time winds backward through a series of vignettes, tracing through the fate of a reckless baroness and two men who fight to possess her.
Back in his native Suriname to see his dying mother, an Afro-Surinamese student from the Netherlands’ former colony finds himself torn between his Amsterdam-based life with his white Dutch girlfriend and a future in his newly independent homeland when he falls for a local Hindostani nurse.
After World War I jazz music unites the divided countries of Europe. The new formed Jazz Republic introduces an unlimited amount of Eurobonds for all Europeans to live upon the interest of one's money. It leads to a complete bankruptcy. This film is an adaptation of a screenplay that the Flemish poet Paul van Ostaijen wrote in Berlin and Antwerp between 1919 and 1921.
Biographical film about the life and work of the Belgian painter Jan Cox. Cox had a tempestuous youth, during which he co-founded the Jeune Peinture Belge group and worked on the fringes of the Cobra movement.
A wordless experimental collage of impressions and moods. Grainy fragments of landscapes, flakes whirl in the wind. Fog and mist, shadows of people in the city and by the water… Silhouettes that fade and turn into pure light and shadow until we discern the specks and scratches on the film strip itself. Sometimes, for a fraction of a second, a face, a person. A film as a memory that eludes us.
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