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The story of Jesus Christ, from the proclamation of his Nativity to his Ascension into heaven. Impressive staging and beautiful hand-coloring distinguish the film from its Passion-play counterparts; Its scale and dynamic crowds prelude the Italian epics to come.
An animated film by French auteur Émile Cohl, one of the earliest examples of hand-drawn film animation. Drawing inspiration from J. Stuart Blackton and the Incoherents of club Hydropathes, the film, with all its wild transformations, sees our protagonist materialize a movie theatre, meet an elephant and escape from jail; A morphing, stream-of-consciousness delight.
The leader of a marching band demonstrates an unusual way of writing music.
In this film, Méliès concocts a combination fairy- and morality tale about the foolishness of trying to look too deeply into the workings of an unstable and inscrutable universe. At a medieval school, an old astronomer begins to teach a class of young men, all armed with telescopes, about the art of scrutinising an imminent eclipse. When a mechanical clock strikes twelve, all the young men rush to the windows and fix their telescopes on the heavens.
A pig dressed in fancy clothes flirts with a pretty girl, but she humiliates him and tears off his suit; she then makes him dance for her affections.
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It's a society in which gender roles are switched. Will men stand to be unequal?
A magician does tricks with the aid of his assistant, the Human Pump.
The magician appears upon the stage with an imp as his assistant. The imp holds a piece of cloth in his hand. At the command of the magician the cloth is suddenly transformed into a beautiful girl, clad in tights. A barrel is then introduced and the girl enters one end.
Segundo de Chomón's remake of Georges Méliès' A Trip to the Moon.
With godly entrapments, Zeus appears on the horizon, engages Hermes as an audience, and tries to throw some thunderbolts. They fizzle. Hephaestus tries to make some repairs but succeeds only in heating the bolts and burning Zeus's hands. Zeus conjures nine muses, but do their incantations help? He dismisses them as well as a visiting Pan, and his fits of pique become counter-productive. Can he get his powers back?
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In this hand-colored short, a magician and his assistant do a series of magic tricks, including making potted plants appear, among others. Melies played the magician, and the actor Manuel played his assistant.
A photographer has an accident which not only screws up his lab but dumps a great deal of debris into the street below, causing general chaos.
The German legend of a scholar's unholy pact with the Devil would have been very familiar to most moviegoers (at least European ones), so Georges Méliès' early cinematic treatment likely got away with simply offering a fancifully illustrated late episode without the earlier narrative context (however, spoken narration provides some of the latter in this restored print). Tempted by Mephistopheles with all kinds of dancing and ethereal babes, Faust is at first excited and then terrified by the sight of various demons and monsters. The painted-set designers really went hog wild on this one, depicting the (sometimes sexy) torments of subterranean Hell with in bold terms (even when ballerinas prance in the foreground). (Dennis Harvey, Fandor)
The plot follows King Edward VII and President Armand Fallières dreaming of building a tunnel under the English Channel.
A Chinese conjurer stands next to a table, it becomes two tables. A fan becomes a parasol, lanterns appear and disappear. The conjurer spins the open parasol in front of himself, and a dog leaps out from behind it. The dog becomes a woman, then a masked man appears. The conjurer sits them each on a box a few feet apart: suddenly the woman and man have changed places. The disappearing and the transfers continue in front of a simple backdrop.
A peddler of "the best glue" sets up his outdoor stall. A crowd gathers for a demonstration. As he gives his pitch, two observant cops decide drive off his customers and close him down, much to his fury. He seeks revenge as they sit on a park bench.
A family sits down to enjoy a meal that ends up being fraught with complications.
A magician explores two halves of his self: The Dwarf and the Giant.
The picture opens with the Sultan lying down to rest on his luxurious cushioned couch. The scene changes to the grounds around the palace.
This is a moving picture that moves. Positively the greatest magical picture ever offered. A Hindoo magician appears and dances for the entertainment of six pretty maidens. Then, to the astonishment of all, he runs up the wall, dances and turns handsprings in mid-air, introducing many tricks that are entirely new in animated photography. The most puzzling of all the mystical series. (Star Film Catalog)
As a conjurer awaits an audience, a procession announces the arrival of a royal representative, carried in a sedan chair, to see him. The conjurer then has a large box brought in. It is opened, revealing a very large folding fan. When the fan is spread out, the designs on it begin to change and move. And this is far from the last of the surprises that the conjurer has in store.
A magician performs tricks with a marvelous wreath.
A man is trying to shave, but grotesque faces keep appearing in his mirror.
A magician performs tricks involving three women, who are sometimes merged together into one corpulent female.
Surviving fragment of a longer film. A magician makes a butterfly woman appear, and a woman in a star. Exhausted, the magician falls asleep and the star woman turns into a spider, dragging the butterfly into her web.
It is winter and a couple invites an old woman to eat. The old woman then becomes a fairy and makes the spring appears.
A weary clock-maker dozes off in a chair. While he is asleep, three women suddenly appear in the midst of his shop. They proceed to show the sleeping clock-maker some new kinds of clocks that they know how to make.
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