Déjà Vu(2021)
The daughter of the busy radio host Florence Fierens suddenly dies. Florence is given the opportunity to relive the past and to see her child again.
Jimin has killed a girl in a car accident when she was driving with her fiance Woojin. From that night, she experiences terrifying hallucination seeing the dead girl. Unable to bear it, she finally goes to the police to report the truth, only to find that she didn’t actually have a car accident.
To what extent does a director stay objective and anonymously hidden behind the camera? The Danish director Jon Bang Carlsen knows for sure that the choices he makes in his films aren’t accidental. Several excerpts from his own work show that events in his personal life have a major influence on his work. In fact, he appears to be using images that he recognizes in particular. It’s a revelation for this filmmaker, who used to think he could stay objective and invisible. Topics such as doubting his faith, his runaway father and impressions from a carefree childhood are recurring themes in his diverse oeuvre. Showing us individual scenes, Carlsen comments in voice-over on the images and muses about his life and work.
The film tells the story of a man, Mihai, who is going through midlife crisis. After a 15 years marriage, he tries to regain control over his own life and starts an affair. Though Mihai is the main character of the film, he is never seen onscreen, but his personality is shown through his mistress, mother and wife, as well as through gestures and attitude.
"Extraneous" - It has been funeral. The elderly couple, Emma and David, pamper their deceased friend. After the funeral, they invite the guests for a drink and a little nostalgic conversation about what has been. When the guest are getting ready to leave, two men remain.
Somewhere in a subtropical country white visitors crowd around dark-skinned plantation workers emptying their harvest baskets. They look curious, as if wanting to test the quality of the tea leaves. Everywhere tourists take out their cameras whether in front of large animals in the wild or camel riders, whether in the face of decorated human bodies or daily work routines. Now and again they look into the camera themselves. For later, for when they will proudly show their 'exotic' finds at home. This posing contains a model of western travels and picture making which is over a century old. The fascinated gaze on the foreigners fixes them in pre-formed frames. Lisl Ponger follows the trail of that gaze by taking amateur found footage material and linking it together in new ways.
The Prohibition years. Chicago bootleggers suffer losses due to their betrayal by one Mick Nich - Mikita Nichiporuk. The mob decides to execute the traitor, who escaped to Odesa, USSR, and organized his own bootleg business there. The hitman, Pollack, arrives in Odesa, and realizes how hard it is to make the hit here, as compared to a civilized country like USA.
A choreographer who believes that he was reincarnated believes that his present wife possesses the soul of his wife in his previous wife, a ballerina.