Meanwhile, Back at the Ranch(1976)
A Western-genre narrative, loosely woven from old clips from B-Western features.
A Western-genre narrative, loosely woven from old clips from B-Western features.
A collection of film clips profiling animal actors.
Period music, film clips and newsreel footage combined into a visual exploration of the American entertainment industry during the Great Depression.
Two detectives investigate the strangulation murder of a man whom everyone seemed to like.
A police lieutenant fights to prove a boy's innocence after he's accused of murder. The fourth of five Ben Schwab productions that starred Bill Elliott as a detective lieutenant in the L.A. Sheriff's department.
Cop Andy Doyle investigates a car-bombing murder and the killing of a sleazy modeling agency owner. Are they connected?
Detective Andy Doyle suspects that a suicide is actually a murder. He suspects the victim's son, Wallace who is blind and he pursues him until he gets to the truth.
The first of the five films where Bill Elliott played a detective lieutenant in the L.A Sheriff's department, Dial Red "O" (the correct title with the number 0 (zero), as on a telephone dial, shown in ") opens with war-torn veteran Ralph Wyatt getting word that his wife is divorcing him, and he flees the psychiatric ward of the veteran's hospital, wanting to talk to her. His escape touches off an all-out manhunt, led by Lieutenant Andy Flynn of the sheriff's department.
1849 California and the Gold Boom. Marshal Sam Nelson goes under cover to find out the identity of a trio of killers.
"Wild" Bill Elliott is a cowboy who goes in search of the man who killed his brother, and finds himself in the small town of Bitter Creek.
Vigilante Terror was one of the last of the "Wild Bill" Elliot westerns for Columbia. This time, Elliot comes to rescue an imperiled storekeeper. A band of masked vigilantes is laying waste to the countryside, and the storekeeper is blamed. Wild Bill saves the day by going undercover -- or under hood, as it were.
Bill Elliot emulates his idol William S. Hart in the superior western Topeka. Elliot plays the archetypal Good Bad Man, hired to kick the crooked element out of a small town. A hard-drinking, hard-living man, Elliot entertains thoughts of taking over the town himself for the benefit of his own gang. After several reels of soul-searching, Elliot decides to honor his promise to clean up the town for its decent citizens. Evidently director Thomas Carr rented a camera crane for this Allied Artists production, since the camera performs remarkable calisthenics, the kind not normally seen in a medium-budget western.
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Rebel City is a "B" western with "A" aspirations. Wild Bill Elliot plays gambler Frank Graham, who heads to Kansas in search of his father's murderer. This being 1864, the local military presence is more preoccupied with keeping Southern sympathizers out of the state to worry about Graham's problems. Thus, our hero undertakes the task of exposing the killer himself. As always, the least likely suspect is the guilty party (though sharp-eyed viewers were wise to the villain from the first reel). Marjorie Lord co-stars as Jane Dudley, the comely operator of the local freight line who helps Graham in his task. Producer Thomas M. Fennelly and director Thomas Carr later collaborated on the Richard Diamond TV series.
Homesteaders Mace Corbin and Clyde Moss pick up much needed dynamite and begin a journey to transport it from an army fort to their homes, hiring a crew of ex-soldiers just released from the army prison. Mace knows he's got his work cut out for him with unstable dynamite, undisciplined hired hands and possible hostile Indians but he doesn't have the slightest hint that his trusted friend Clyde has betrayed him.
Wild Bill Elliott must escort a gang of killer cattleman who have been terrorizing homesteaders.
The brother (House Peters Jr.) of rancher Bill Martin (Bill Elliott) is killed in a stampede started by cattleman. Bill returns to the Fargo country to take his brother's place and is welcomed by law-abiding cattleman MacKenzie (Jack Ingram)) and his daughter Kathy (Phyllis Coates). The leader of the ruthless cattle interests are townsman Austin (Arthur Space) and his henchmen Red (Myron Healey), Link (Robert J. Wilke) and Albord (Terry Frost). Bill has the idea of putting up barbed wire to keep the herds from been driven over the land cultivated by the farmers. He, aided by Tad Sloan (Fuzzy Knight), produces the wire by make-shift methods, but it proves effective. The cattleman charge in court that the wire is dangerous to their herds but lose the case. Austin orders his men to seize Bill, bale him in strands of the wire, and throw him on the stage of the town hall during a fall festival. Bill doesn't take kindly to this and it precipitates open war.
Wild Bill Elliott goes after his brother's murderer!
After killing a man in self defense over a poker game, Wild Bill Elliott turns outlaw in order to escape a lynch mob.
A double-crossing cowboy and his gang of henchmen steal cattle, even from friends, in this classic Western.
Shadrach Jones, ex-Texas State Policeman, has the ruthless determination to find and kill the man who shot his brother in the back and stole the money with which he was to buy a ranch for the two of them. At the saloon-hotel run by Adelaide, Shadrach is convinced that one of the cowhands on the Captain McKellar cattle drive to Montana is his man. He takes the job of trail-herd boss to find the killer. McKellar preaches to Jones that he should forget revenge and let the law of retribution take care of the killer. Shadrach's hard driving of the men and his hunt for the killer makes him bitterly hated, and his retribution quest ends in a manner he did not anticipated.
A charismatic gunfighter who is on the run takes refuge in a frontier cattle town and attempts to help a group of ranchers against a wealthy cattle baron.
A peaceable man becomes marshal of his town at the end of a cattle trail and faces the problems of law enforcement with trail drovers and gunhands.
Zeb Smith is a gambler with a larcenous streak, but when an itinerant preacher takes a bullet meant for him, Zeb vows to fulfill the preacher's mission of building a church. Frustrated in his attempts to get donations, Zeb attempts to capture fugitive Doll Brown in order to obtain the reward. But he finds that there's more to Doll than meets the eye. When his old friend Bucky McLean shows up gunning for Doll, Zeb sees a chance to redeem them all... one way or another.
About to marry Jim Plummer, Kate Foley runs off to Nevada when Ed Bagley convinces her a quick fortune can be made robbing gold shipments that are being transported by the railroad. In Bannock City she meets reformed-bandit Frank Plummer, posing as Frank Norris, brother of Jim Plummer, who has being going straight and working as an express shipment guard. Jim also shows up and plans a robbery by stealing a train and hiding it in an abandoned tunnel. The two brothers are on opposite sides of the law with the now-reformed Kate caught in the middle.
When power-hungry Faulkner and Leroux want to divide Texas into smaller sections, instead of allowing it to enter the Union as a single state, Gary Conway and the Texas Rangers must step in to thwart their chicanery.
Also known as California Outpost, Old Los Angeles stars Bill Elliot in one of his expanded-budget Republic "specials." The film is set during the early statehood days of California, with Elliot keeping the peace and warding off plunderers and marauders. As always, Elliot is a "peaceable man"--until he beats the tar out of those who rile him. The problem with Elliot's more expensive Republic vehicles is that action invariably took a back seat to plot, romance, costumes and decor. Within a year of Old Los Angeles, Elliot started a more austere, less prettified and far superior western series.
A couple of Confederate soldiers, returning home from the Civil War, find Texas transformed into an armed camp with a quasi-dictator gathering up land and power as fast as he can. The two former Rebels take on this despot each in his own way.
Small ranchers battle against a land baron trying to take their spreads.
Film about the early days of the Pony Express and the crooked businessman who opposed it.
Red Ryder and his comical sidekick take on a new batch of bad-guys in this western, the 16th in the Red Ryder series. This time the heroic duo try to save a female rancher from a greedy financier who wants her land so he can exploit the enormous oil fields lying under it.