Hollywood Without Make-Up(1963)
A collection of behind the scenes and home movies from the golden age of Hollywood.
A collection of behind the scenes and home movies from the golden age of Hollywood.
In this western, the Indians claim that their government rations are being stolen and they threaten to fight back. A pair of agents look into it and bring the culprits to justice.
A spectacular heist starts to unravel as the crooks take it on the lam.
A commanding officer defends three scapegoats on trial for a failed offensive that occurred within the French Army in 1916.
An American detective unmasks a gambler as the head of a banknote counterfeiting gang.
A tense thriller that tears the lid off Soho's underworld and reveals the cunning organization behind a gang of safe-breakers who will stop at nothing, not even murder, to achieve their goals.
Charter-boat owner "Tex" Parker is framed on a murder rap by a gang of jewel-and-American currency smugglers operating from the coasts of England and France, with a mid-channel rendezvous. The smugglers use him, his boat and partner, "Soapy", to carry their goods back and forth across the English. During one of the trips, "Tex" is thrown overboard, but is picked up by a French fishing boat and the fisherman take him back to their village, Porte Soliare, where he meets Jacqueline. People who appear to be quite dead early on turn out to be not dead later on, and money and swag and goods keep changing hands with such regularity that, at one point, one guy is searching for something he already has (and doesn't know it), while another guy isn't searching for it because he thinks he has it...but doesn't.
Following WW II, a U.S. army officer stationed in West Germany is assigned with keeping classified information away from the Communists. Unfortunately, Red spies know that he suffers from sudden black-outs and use this to hypnotise him, and make it appear that he is a traitor.
Back from the Indian wars, a cowboy wages a single-handed war against a land baron and his henchmen. After his shooting hand is disabled, he masters the bow and arrow to take on the gang one arrow at a time!
The jungle boy tries to stop a herd of rogue elephants.
The new warden of a large American harbor raises the hackles of sailors and fishermen by his strict enforcement of all the safety rules. He takes the time, though, to romance the sister of his biggest rival.
Yankee charter pilot Morris inadvertently finds himself in the midst of thieves who have purloined a costly antique jade figure from an exhibit. He tracks the thieves to Battersea, where he rescues the fair Germaine from their unsavory clutches, and the Buddha boosters gain only jaded justice.
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In the last of his four western programmers for Allied Artists, Wayne Morris plays frontiersman Jim Bisby. Mistaken for a notorious gunslinger, Jim is appointed deputy sheriff of a wide-open cattle town. Playing along, our hero gets down to business -- and by the time his true identity is revealed, it hardly matters, since most of the bad guys are pushing up daisies on boot hill. Beverly Garland turns in another exceptional performance as the heroine, while Morris Ankrum, Roy Barcroft and I. Stanford Jolley fulfill their usual responsibilities. Two Guns and a Badge is of historical interest as the very last "B"-grade "series" western ever produced in Hollywood.
"Only a fool sticks his neck out for somebody else. Don't get in the habit of it." Outlaw gunslinger Sam Garrett offers that sage wisdom to fellow fugitive Tom Cameron, who's on the run from the "Bluebellies," Texas State Police officers who wield a brutal iron fist of enforcement in the early 1870s. But quick-draw, hard-bitten Garrett soon decides not to take his own advice after young Cameron heads home to surrender - and instead gets framed for a revenge murder by a jealous rival for the affections of his girl.
When a stagecoach guard tries to warn a town of an imminent raid by a band of outlaws, the people mistake him for one of the gang.
Wayne Morris' B-western series was the last of its kind to be produced in Hollywood. Texas Bad Man casts Morris as a sheriff who happens to be the son of inveterate thief Frank Ferguson. Knowing full well that Ferguson's gang intends to steal a shipment of gold, Morris must stay up nights trying to second-guess his crafty dad. While there's no shortage of action, the resolution to the story relies more on brawn than brain. Western "regulars" Sheb Wooley, Myron Healey and Denver Pyle do their usual in secondary roles, as does Elaine Riley as the requisite (but hardly crucial) heroine.
A US Marshal hunts down three bank robbers that are living under new identities.
Mike Martin becomes a deputy marshal and takes on a gang of cattle rustlers.
Ed Ryan is a Texas ranger who goes undercover to trap a criminal gang headed by Luke Andrews. Posing as the wanted killer Robert Larkin, Ed is able to move freely amongst the town riffraff. Marshal Bullock learns that the brains behind the gang of Luke Andrews is a group of supposed respectable businessmen.
Mike Wein, an Alaskan bush pilot operating the the Bering Sea area, makes friends with John W. Wetherby, posing as a wealth United States businessman. But, in reality, he is a Russian spy on his way to Siberia carrying microfilms of the United States' defense installations.
In 1852, two friends left the Nevada prospector region to relocate from en route he meets the beautiful Marie who decides to make a trek with two friends, but on the way he is attacked by three Arabs who installs camels, take these Arab adventurers to the Indians.
Confederate veteran Jeff Waring arrives in Independence, Missouri shortly after the Civil War, intending never again to use a gun. He finds that rancher Artemus Taylor and his henchmen are forcing out the settlers in order to claim their land for the incoming railroad.
WWII veteran Mike Donovan decides to sell his fishing boat after suffering a a series of accidents, the worst of which sends his father, Captain John Donovan, to the hospital suffering from amnesia. His decision is opposed by hie sweetheart, Nina Torres, and his loyal crew, but supported by his father's nurse, Jean Elliott, who also has romantic designs on Mike.
Hoping to strike it rich, four people--two best buddies, a blonde waitress and a cheerful oldtimer--pool their resources so they can drill for oil. A Columbia Pictures B-film from 1951.
When young Johnny York witnesses the murder of his father, he joins a travelling variety troupe and trains up as a sharpshooter so he might one day get his revenge.
A group of outlaws posing as Southern sympathizers and led secretly by freight-line owner Jim Maroon are raiding stagecoaches, and this is a threat to the Union communications. Grif Holbrook, a trouble-shooter for the Butterfield Stage Line, and Union man Barney Broderick team up to try and put a stop to the activity, when they aren't fighting over the charms of Kate Crocker.
Set in a rugged Northwest logging camp, this drama follows the exploits of the lumberjack who inherits the camp. For a long time, he has been courting a pretty young thing, and now that she believes him wealthy, she decides to finally accept his proposal. When she finds out that the company has many financial woes and that living in the woods takes guts and courage, she turns into a nagging shrew, constantly urging him to sell-out to a major corporation. Meanwhile his treacherous foreman, an agent of the bigger company, uses sabotage to change the stubborn camp owner's mind.
Johnny One-Eye was adapted from one of Damon Runyon's lesser-known stories. Martin Martin and Dane Cory were former partners in crime who have long since split up. When a new district attorney puts the heat on, Cory, anxious to save his own hide, accuses Martin of an unsolved murder. Holed up in abandoned house, Martin is befriended by a little girl and her dog. It so happens that the girl is the daughter of the crusading DA, and thereby hangs the rest of this tale.
Dave Joslin, the managing editor of a big-city newspaper, is demoted and moved to the Miss Lonely Hearts column-writing department by the newspaper's publisher, J. B. Grennell, because Joslin refuses to desist in printing stories linking a gangster, Matthew Keever, to a murder. But Joslin, aided by Kit Williams, a newspaper woman with whom he is in love, investigate the murder case on their own time.
After learning the finer points of carrier aviation in the 1920s, career officer Jonathan Scott and his pals spend the next two decades promoting the superiority of naval air power. But military and political "red tape" continually frustrate their efforts, prompting Scott to even consider leaving the Navy for a more lucrative civilian job. Then the world enters a second World War and Scott finally gets the opportunity to prove to Washington the valuable role aircraft carriers could play in winning the conflict. But what will it cost him and his comrades personally?