Le Dernier Mélodrame(1979)
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A man comes back to his old haunts and surveys the changes around him.
Clad in a featureless red mask, The Man Without A Face is involved in a single-minded pursuit of the fabled treasure of the Knights Templar in this tribute to the pulp adventure stories of Louis Feuillade.
Story of a young, inexperienced ship captain named Marlow, who struggles in solitude during the voyage with disease, insubordinate crew and vagaries of weather.
Serge Mouret is a frail and devout young priest in a tough country parish. When he falls down and loses his memory, he is nursed back to health by Albine, the beautiful carefree niece of the outspoken atheist Jeanbernat. After Serge and Albine fall in love, Serge recovers his memory and realizes the grave sin he has committed.
The movie "L'instant de la paix" consists of three segments: 1. "Les rideaux blancs" (France) 2. "Berlin N 65" (West Germany) 3. "Matura" (Poland)
In the First World War, when Paris is expected to fall to the Germans, the attractive widow, Princesse de Bormes, organises a convoy of cars to evacuate the wounded from the front, and bring them back to her villa in Paris to recuperate. The authorities will not give them passes until an innocent 16-year-old boy, Guillaume Thomas de Fontenoy, joins them and is mistaken as the nephew of the popular General de Fontenoy. The Princess is enraptured by Thomas and her daughter, Henriette, falls in love with him. However Thomas feels impelled to see more of the action of the war.
Georges Franju's Judex is an arch, playful tribute to the serials of the influential silent filmmaker Louis Feuillade. Franju shuffles through the plot of Feuillade's lengthy serial of the same name, about an adventurer named Judex (Channing Pollock) whose revenge against the corrupt banker Favraux (Michel Vitold) unleashes a complicated series of schemes.
Thérèse is living in a provincial town, unhappily married to Bernard, a dull, pompous man whose only interest is preserving his family name and property. They live in an isolated country mansion surrounded by servants. Early in her marriage her only comforts are her fondness for Bernard's pine-tree forest, which was her primary reason for marrying him, and her love for her sister-in-law and Bernard's half-sister, Anne. The movie recounts in flashback the circumstances that led to her being charged with poisoning her husband.
An old count hides just before he dies to annoy his heirs. The heirs search a manor for the count's body and are killed off one by one. Jean-Marie, his fiancée Micheline, and Edwige investigate the deaths and search for the count's body.
Dr. Génessier is riddled with guilt after an accident that he caused disfigures the face of his daughter, the once beautiful Christiane, who outsiders believe is dead. Dr. Génessier, along with accomplice and laboratory assistant Louise, kidnaps young women and brings them to the Génessier mansion. After rendering his victims unconscious, Dr. Génessier removes their faces and attempts to graft them on to Christiane's.
An aimless young man is committed to a psychiatric hospital by his father in an attempt to cure him of his delinquent tendencies.
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A residential area schoolboy discovers the odd universe of the Parisian metro. At one point, he glimpses the beautiful face of a blond-haired girl. Later on, he falls asleep and possibly dreams his first love dream….
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The life and work of the pioneering scientists, told through the words of Marie Curie.
A family goes on holiday, abandoning the little girl’s dog.
A lyrical evocation of times past and a reflection on the inevitable passing of time through the recollections of an old fisherman.
The planet is filled with dust and particles of all kinds, natural or originated by man. Such a state of things has of course a great many consequences for public health, with diseases like silicosis, inherent in various human activities, some of which are detailed (farming, notably the treatment of flax; industrial activity, particularly porcelain and cement work, coal mining).
A tour of the Hotel des Invalides, and more particularly of the Army Museum and the Saint Louis Chapel. From François I's armor to Guynemer's airplane, to Napoleon's and Marshall Foch's tombs. But this is no ordinary tour,it is rather a chilling visit guided by Georges Franju and narrated by Michel Simon emphasizing - at times through biting humor -not the glory but the nonsense of wars, but their tragic aftermath.
This 1952 film by Georges Franju is a biographical film about cinematic illusionist Georges Méliès. It features Méliès’s widow, Jeanne d’Alcy, as herself, and their son, André, as his own father. LE GRAND MÉLIÈS, like Franju’s Louis Feuillade tribute, JUDEX, is a revealing homage to one of the director’s idols.
This Government-commissioned documentary was intended to reflect the modernisation of French industry. However, in Franju’s hands it became an ode to fire and a fascinating portrayal of industrial architecture.
An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby slaughterhouses. Describes the fate of the animals and that of the workers in graphic detail.
This silent film on the Paris Metro was the first foray into film by Georges Franju and only foray into the realization of the future creator of the Cinémathèque Française, Henri Langlois.