Nightwatching(2007)
An extravagant, exotic and moving look at Rembrandt's romantic and professional life, and the controversy he created by the identification of a murderer in the painting The Night Watch.
An extravagant, exotic and moving look at Rembrandt's romantic and professional life, and the controversy he created by the identification of a murderer in the painting The Night Watch.
This character study joins the painter at the height of his fame in 1642, when his adored wife suddenly dies and his work takes a dark, sardonic turn that offends his patrons. By 1656, he is bankrupt but consoles himself with the company of pretty maid Hendrickje, whom he's unable to marry. Their relationship brings ostracism but also some measure of happiness. The final scenes find him in his last year, 1669, physically enfeebled but his spirit undimmed.
J'accuse is an 'essay-istic' documentary in which Greenaway's fierce criticism of today's visual illiteracy is argued by means of a forensic search of Rembrandt's Nightwatch. Greenaway explains the background, the context, the conspiracy, the murder and the motives of all its 34 painted characters who have conspired to kill for their combined self-advantage. Greenaway leads us through Rembrandt's paintings into 17th century Amsterdam. He paints a world that is democratic in principle, but is almost entirely ruled by twelve families. The notion exists of these regents as charitable and compassionate beings. However, reality was different.
Two bumbling scrap metal thieves - father and son - steal the wrong painting during a museum heist. The painting turns out to be the only original Rembrandt painting in Denmark, and all hell breaks loose. What do you do when you've got Interpol, the Danish police and the entire Danish underworld on your heels? And who was this Rembrandt guy anyway?
UN agents Mike Graham and Sabrina Carver are sent by their director Nick Caldwell to investigate the theft of Rembrandt's painting, "The Night Watch". The trail takes them from Amsterdam to Hong Kong and involves them in not only art theft and forgery, but the high-tech schemes of Martin Schraeder and his Korean cohort Mao Yixin.
The dutchified Hungarian Joszef Katús returns, after a months-long absence, to Amsterdam on 29 April 1966. The arrival of the Provos changed a great deal in the Dutch capital. The film follows Katús, mostly roaming the streets, in a loose documentary style. The events are set against the backdrop of four national occasions - The Queen's Birthday, Labour Day, Liberation Day and Remembrance Day.
This French-German-Dutch biopic on the life of 17th century Dutch master Rembrandt van Rijn is told in flashbacks from the point-of-view of the aged artist. Soon after establishing his career as a painter in Amsterdam, he marries the radiant Saskia. As he makes a name for himself, he can soon afford to buy a large house by teaching wealthy aristocrats how to paint. However, the couple's happiness is short-lived; Saskia dies soon after bearing their son, Titus. Crushed, van Rijn seeks comfort first in the arms of his maid Geertje and then with his second wife, Hendrickje, who gives birth to a daughter. In spite of his genius, van Rijn's determinedly eccentric behavior alienates the very members of the elite who were paying his bills. At one point, the artist's home and belongings, including many of his paintings, are seized and sold for humiliatingly low prices in a rigged auction.
At the height of his success in 1630 Amsterdam, Rembrandt takes on a Jewish studio apprentice, Samuel.
Already a famous painter, Rembrandt van Rijn is commissioned to paint the Amsterdam Archers' Guild. But upon completion of the picture, the men of the guild feel duped, because they don't consider themselves flatteringly depicted in the painting. They therefore decline to pay for the work. During this dispute, the painter finds out his wife is close to death. He finds himself terribly lonely after her passing and suffers from depression until he decides once more to marry.
Documentary tour of the "Rembrandt: Late Works" exhibit at the National Gallery, London and subsequently at the Rijksmuseum, Amsterdam.
In Rembrandt, Haanstra shows that it is possible to make a fascinating film only with images from paintings. He had to travel though all over Europe to numerous museums and private owners in order to film the works of art. In the work of the great painter, Haanstra recognizes his particular interest in man as an individual human being, cutting straight through all the religious motives. And Haanstra also wants to see Rembrandt as an individual.
In the final year of his life, Rembrandt painted a series of self-portraits that show him in a dark, lonely state of mind. Stelling has painstakingly recreated the pathetic end of a genius with an authenticity that allows viewers to infer their own conclusions about the relationship between Rembrandt's life and art.
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In the 17th century, the Netherlands experienced an unprecedented artistic explosion: painters such as Rembrandt, Vermeer and Hals were so prolific that they were able to make a living from their talent alone; so much so that, within a prosperous society, thanks to wealth from overseas colonies and financial speculation, collecting works of art became a status symbol.
This film is a portrait of the passage of one year in the lives of some San Francisco friends, circa 1988 (before the dot.coming of the city), a slow marijuana hazed story which drifts like the fabled fog, encompassing the quirks and habits of a generation that made the city theirs, if only for a while. Very obliquely Rembrandt Laughing sketches the time and place, encompassing the AIDS epidemic, the casual sexual revolution, the debris of '68 lingering in the air. A quiet, very San Francisco comedy of life among a small group of friends. Rembrandt Laughing was improvised over the period of about a month by Jost and his friends, mostly acting non-professionals.
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This is set in the world of the Old Masters and offers a mosaic of gripping stories in which unrestrained passion for Rembrandt's paintings leads to dramatic developments and unexpected plot turns.
A writer and a painter decide to leave the big city and move to the country. In order to support themselves, the couple design greeting cards.
Holmes goes on the trail of a Rembrandt painting, stolen by a drug-addicted artist.
Simon Schama explains the style, theme and concept of Rembrandt's late masterpieces.
"I Will Become Sweden's Rembrandt or Die!" - About the life and art of the Swedish painter Ernst Josephson (1851-1906), his many travels in Europe and about the psychological crisis in 1885 which changed Josephson's artistry completely.
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The life and art of the quintessential 17th century Dutch painter Rembrandt.