Latin is spoken in Vatican City / Holy See and 21 movies (between 1913 and 2022) with this language have been recorded so far. Most of these movies were shot in Italy (5). Popular genres for Latin movies are Drama (10), History (3) and Music (3). The First King (2019), Sic Transit Gloria Mundi/Heraklea (1974), Teatro Satanico: Inno A Satana Virginia (2015), Camera Obscura (2018) and Ubi Sunt (2016) are among the best known & most successful Latin movies.
Romulus and Remus, two shepherds and loyal brothers, end up taking part to a journey that will lead one of them to be the founder of the greatest nation ever seen. However, the fate of the chosen one will pass from killing his own brother.
Experimental animation/live-action short by Dušan Vukotić.
Ubi Sunt. Porto. Cartography of an imaginary place attracted by the margins (social and geographical) Hybrid and eclectic project, it is the outcome of a audiovisual research residency of humam and urban exploration of an expanding city. Ubi sunt qui ante nos fuerunt?, meaning "Where are those who were before us?". Reflective essay on mortality and life's transience, it emerges from that dialectic, of a and episodic and fragmented structure with a choreographed cinematography; where the memory intersects the contemporary.
About ecology, hypocrisy and transience.
During the latter years of the reign of the tyrannical Roman emperor Nero, Marcus Vinicius, one of Nero's officers, falls in love with a young Christian hostage named Lygia. "Quo Vadis?" is a landmark in epic film-- Certainly Enrico Guazzoni’s grand-scale masterpiece laid the foundations for what colossal Italian spectacles would become. The film had tremendous influence on Giovanni Pastrone’s Cabiria (1914) and D.W. Griffith’s Intolerance (1916).
A film about Jasar, a homeless Roma from Belgrade.
Natalia, a young Chilean woman, comes to Europe for the first time searching for her family history. She starts a road trip through Poland together with her school friend Morín, who moved to Hamburg three years ago trying to develop her career as an actress. Between encounters and borders, not only her expectations about Europe will be challenged, but also her old friendship with Morín.
Macedonian TV drama.
The year is 37 BC. A young Liburnian Volsus is taken by a Roman unit to help in what at first seems a simple task of collecting taxes, but the encounters with local Illyrian tribes soon lead to unexpected turns of events, as they show more resilience to subjugation than meets the eye. We see their archaic, emotional world of quaint and brutal laws and traditions through the eyes of this youngster, regarded by the Romans as a primitive barbarian, and gradually come to understand that their world is not all that different from our own.
After a war, a poet isolates himself in an abandoned village. He is trying to endure in reality by fighting the traumas from the past.
Teatro Satanico was founded in Bassano del Grappa, Italy, 1993, as the "Charles Manson Satanic Theater", by Devis Granziera and Alberto Maria Kundalini. Despite the name, the band does not refer to Satanism , but to an attitude shown by romantic and decadent artists, towards religion, considered as an "obstacle to creative freedom". Including a black chant, sabbath and mass.
The film introduces the history of one of the oldest towns in Macedonia: Heraklea Linkestis, which has been built in the IV century B.C.
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The public and private life of Eugenio Pacelli, elected Pope Pius XII.
"In this film you will see a woman's handkerchief tied around a man's wrist, a well-shaven pig's head, some adolescents who are more inventive than their elders in struggling against oppression... You will not, however, hear any dialog. Words do not prepare, do not accompany, do not comment upon the action. This is not a silent film, but a film in which the only moment of life retained for the cinematographic spectacle are those where people do not speak. The spectator will find, perhaps, a greater freedom of interpretation in it and, we hope, a particular pleasure in this." (Alain Cavalier)
Rome, AD 303. Emperor Diocletian demotes his favourite, Sebastian, from captain of the palace guard to the rank of common soldier and banishes him to a remote coastal outpost where his fellow soldiers, weakened by their desires, turn to homosexual activities to satisfy their needs. Sebastian becomes the target of lust for the officer Severus, but repeatedly rejects the man's advances. Castigated for his Christian faith, he is tortured, humiliated and ultimately killed.
It tells the story of Ane, who with a visual impairment and fully transition to adolescence, must face the peer rejection, overprotection of parents and, above all, the possibility of not seeing.
Opera by Igor Stravinsky.
Primitive ice age man awakes somewhere in central Bosnia and starts building a wonder.
The target of Tabula Rasa is the heart of cinema. Voyeuristic desire as the pre-condition for all cinema pleasure is at stake here. What Christian Metz and Jacques Lacan have established in theory is rendered as film in Tabula Rasa. At the beginning we can recognize only shadows from which the picture of a woman undressing herself hesitantly emerges. But exactly at the point when one believes one can make out what it is, the camera is located in front of the object. Tabula Rasa takes distance, the fundamental principle of voyeurism, in so far literally, as it shows us the object of desire but continually removes it from our gaze.