A fisheries expert is approached by a consultant to help realize a sheik's vision of bringing the sport of fly-fishing to the desert and embarks on an upstream journey of faith and fish to prove the impossible possible.
Ten-year-old Nojoom was forced to marry a 30-year-old man. The dowry offered the family a small income and 'one less mouth to feed'. Nojoom discovers that her life will take a turn for the worse. Her husband is indifferent to her age. Every day after she is wedded, the child works under harsh conditions and every night, the child-bride is raped by a man 20 years older than her. A legitimate and acceptable arrangement for all, except for Nojoom.
Tells the story of two men, Abu Jandal and Salim Ahmed Hamdan, whose fateful encounter in 1996 set them on a course of events that led them to Afghanistan, Osama bin Laden, 9/11, Guantanamo, and the U.S. Supreme Court.
Uncle Naji seeks assistance from his Grandfather who lives in Yemen, to support him in getting rid of the daemons in his restaurant, meanwhile, his Grandfather brought with him an artifact willing to sell them in the UAE to help Naji, but he got in trouble with a gang who was looking for Naji's friend Ahmed.
Tariq's aristocratic family has arranged for him to marry Bilquis, the daughter of a rich judge. However, while out in the city one night, he catches sight of a woman he believes to be Bilquis, and falls in love with her. The woman turns out to be an orphan from the lower class - a henna artist named Ines.
'Karama has no walls' is set amidst Yemen's 2011 uprising. The film illustrates the nature of the Yemeni revolution in stark contrast to the gross violations of human rights that took place on Friday, March 18th 2011. Juma'at El-Karama (Friday of Dignity) marks a turning point in the Yemeni revolution as the tragic events that took place on this day -when pro-government snipers shot dead 53 protestors - shook the nation and propelled hundreds of thousands more to flock to the square in solidarity with their fellow citizens. Through the lenses of two cameramen and the accounts of two fathers, the film retells the story of the people behind the statistics and news reports, encapsulating the tragic events of the day as they unfolded.
Bitter Rivals illuminates the essential history - and profound ripple effect - of Iran and Saudi Arabia's power struggle. It draws on scores of interviews with political, religious and military leaders, militia commanders, diplomats, and policy experts, painting American television's most comprehensive picture of a feud that has reshaped the Middle East.
A look at the arms manufacturers supplying Saudi Arabia.
Unwittingly (and politically), this film ends up being self-reflective. The French filmmaker Sylvie Ballyot was shooting a feminist documentary in Yemen when her tapes were requisitioned by the authorities. Adrift in unknown territory with the only help of a translator, Ballyot carried on, shooting images of herself in public spaces –the only woman in a crowd of men. Her reactions in a culture she is not familiar with get combined with interviews with students who talk about love, family, and sexuality.
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