1930s Hollywood is reevaluated through the eyes of scathing social critic and alcoholic screenwriter Herman J. Mankiewicz as he races to finish the screenplay of Citizen Kane.
In 1939, boy-wonder Orson Welles leaves New York, where he has succeeded in radio and theater, and, hired by RKO Pictures, moves to Hollywood with the purpose of making his first film.
New York, 1937. A teenager hired to star in Orson Welles' production of Julius Caesar becomes attracted to a career-driven production assistant.
The extraordinary life of Orson Welles (1915-85), an enigma of Hollywood, an irreducible independent creator: a musical prodigy, an excellent painter, a master of theater and radio, a modern Shakespeare, a magician who was always searching for a new trick to surprise his audience, a romantic and legendary figure who lived only for cinema.
A poetic journey into the visual world of the legendary filmmaker and actor Orson Welles (1915-85) that reveals a new portrait of a unique genius, both of his life and of his monumental work: through his own eyes, drawn by his own hand, painted with his own brush.
Still reeling from the painful breakup of his marriage to screen siren Rita Hayworth, filmmaker Orson Welles makes his way to Rome, where he gets pulled into a tangled political plot involving murder and mysterious motives. A beautiful actress proves a tempting distraction. But if they want to stay alive, Welles and his young Italian driver need to stay focused.
Documentary about the battle between Orson Welles and William Randolph Hearst over Welles' Citizen Kane (1941). Features interviews with Welles' and Hearst's co-workers also as a relative complete bio of Hearst.
A comedy that tells the story of a small New Jersey town on the night of Orson Welles' famed 1938 War of the Worlds radio broadcast, which led millions of listeners to believe the U.S. was being invaded by Martians.
Orson Welles sits in his chair behind his typewriter where he sends a message out to his dying friend Bill Cronshaw: a passage from the journal of Charles Lindbergh.
The raft man Manuel Jacaré was swallowed by the sea when Orson Welles was filming It's All True in 1942. The fact evokes memories of the dictatorship of the Estado Novo, of World War II, of Ceará fishermen's struggle for labor rights and housing in their traditional space - target of real estate speculation.
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