After her father’s death, Alyson, her partner Richard and their baby return to her childhood home. Following a few shocking supernatural events, Alyson discovers that she and her family have been living with a terrible curse, unleashed in the past by a bride killed by Alyson’s grandfather. Soon after Alyson’s child disappears and she has no choice but to embark on a frightening journey into the underworld, to free herself from the bride’s curse and to look for her daughter.
When four generations of the Cooper clan come together for their annual Christmas Eve celebration, a series of unexpected visitors and unlikely events turn the night upside down, leading them all toward a surprising rediscovery of family bonds and the spirit of the holiday.
Two disconnected sisters are summoned to clean out their childhood bedrooms before their parents sell their family home.
After their mother passes away, sisters Nicole and Annie reluctantly return to their childhood home to pay their last respects. While staying overnight in the house, the sisters sense a mysterious presence in their midst: noises startling them in the night, objects moving about, a fallen picture of an unknown woman posed next to their mother. Annie begins experiencing a series of intense and disturbing dreams - visions that lead her to uncover something terrible about her mother's past that is finally revealing itself.
Five Jewish Hungarians, now U.S. citizens, tell their stories: before March, 1944, when Nazis began to exterminate Hungarian Jews, months in concentration camps, and visiting childhood homes more than 50 years later. An historian, a Sonderkommando, a doctor who experimented on Auschwitz prisoners, and US soldiers who were part of the liberation in April, 1945.
While going through a difficult divorce from her domineering, businessman husband, Alexandra moves back into her old childhood brownstone home, where she sets out to uncover dark family secrets from when she was a young girl, involving her Aunt Judith's murder and her mother's descent into insanity. The only clue is a key to a mysterious secret room that lies within the house. As a series of bizarre and unsettling incidents prod Alexandra to investigate her past, she finds herself wandering deeper into danger as her past comes back to haunt her.
When a substance abuse counsellor gets arrested for a DUI and returns to her hometown of Niagara Falls, she learns that her estranged father is dying of cancer and wants her to form a bond with her teenage half-sister that she's never met.
A woman learns her estranged father has passed away. She returns with her boyfriend to her childhood home of Belize, where she is reunited with her brother, and must face her past while fighting for intimacy in the present.
After the death of her father, Anne — a brilliant but emotionally unstable painter/sculptor — returns from Switzerland to her home town in Quebec. Setting up a studio, she becomes obsessed with her work, to the extent that she grows farther and farther from her Swiss lover.
Inheriting her grandmother's remote island Inn causes Amanda to re-evaluate her life and decisions.
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Oli wants to finish her book. Jo wants to get over her breakup. What they don't want is to share a house.
A video camera turns into a looking glass to the past in this lo-fi yet highly ambitious head-turner, following a young man who gets to reconnect with his family’s history through old, strangely immersive home movies.
Somewhere between the 1930s and now, the cameras start turning and Joan Crawford, Bette Davis and Marlene Dietrich gather on one film set. The floor gleams, the spotlights are burning, the narration starts. Born out of a fascination for the construction that is Hollywood, and by extension ‘the perfect Hollywood home’, the maker embodies three actresses from Hollywood’s golden era and their so-called private lives. Their smallest personality traits are performed so precise and characteristically that it becomes artificial. The home isn’t homely. It plays “house” and the inhabitants are speaking Hollywoodian. In this setting, the maker of the film recalls memories of growing up in her childhood home.
As part of his final psychotherapy treatment, a mental patient is allowed to return to the basement of his deserted childhood home, so he can finally face his fears involving the death of his younger brother.
In the streets of Marseille, René Allio encounters, once again, the spaces of his childhood, and remembers his family history.
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