A teenage girl thinks that the monkey she owns is her innocent pet, but it turns out to be something much more dangerous, an evil shapeshifter capable of unthinkable acts no loyal pet would ever be able to perform.
An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby slaughterhouses. Describes the fate of the animals and that of the workers in graphic detail.
"The Hart of London" is an endlessly layered tour de force. It explores life and death, the sense of place and personal displacement, and the intricate aesthetics of representation. It is a personal and spiritual film, marked inevitably by Chambers’s knowledge that he had leukemia. The late American avant-garde filmmaker Stan Brakhage said of Hart, "If I named the five greatest films [ever made], this has got to be one of them." Even this high praise falls short of hyperbole. The Hart of London is at the centre of Chambers’s extraordinary achievement.
The Sultan of Zanzibar has a harbor infested with sharks, which makes it impossible for ships to trade with him. In an attempt to fix the problem, he brings twelve hippos into the harbor to keep the sharks away. His idea works well enough, but once the hippos are no longer a novelty and the people no longer feed them, they begin to starve. After the hungry hippos rampage through the city looking for food, Aban-Khan, the king's adviser, slaughters all the hippos except one, a little hippo named Hugo.
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