The unborn child of Mamlakat is telling her story. She is 17, beautiful and vivacious, and dreaming secretly of becoming an actress. She lives with her father and brother in a small village in Central Asia. One night she is seduced by an actor from a travelling troupe, who poses as a friend of Tom Cruise, and makes her pregnant. She tries to abort, but her father and brother become determined to find the seducer, setting in motion a cascade of comic adventures.
Khorshid, a blind child growing up in Tajikistan, is constantly distracted by music and sounds. This frequently causes him to be late to his job as an instrument tuner even though he runs the risk of being fired at a time when his family is in danger of being evicted from their house.
Mira returns home to Dushanbe from Russia to visit her father, a wastrel who is completely addicted to a game called "odds and evens," or Kosh ba Kosh. When another player comes to collect on gambling debts and finds nothing of value, he sets his sights on Mira.
Silk Road Ghosts takes the viewer off the beaten path as I ply a circuit, following in the footsteps of the ancient conquerors, passing through some of the more remarkable parts of Central Asia's Silk Road. From Almaty in Kazakhstan, I set out towards a daunting rendezvous with the Darvasa Gas Crater in Turkmenistan. Along the way I dot many of the road's pivotal locations, bearing witness to its myriad ghosts which served to glorify the annals of our planet's history.
This is a passage between two faces, each the same, yet different. Bibicha’s face first appears in the dark, her eyes open and expression impassive, only her heavy breathing betraying the strain she feels. She will withstand the strain and take the vow of silence, retreating to her grandmother’s house for the 40 days to pass. The house and the landscape outside at least offer Bibicha certain sensory distractions: the taste of honey, the texture of a wall, an eye-catching bedspread, the view out over a sea of cloud, water fizzling on the stove. But it is not just her under strain, as her aunt’s frantic text messaging, her grandmother’s rueful acknowledgement of the stories of marital strife on the radio and her little cousin’s illegitimate status bear witness to. Four generations of women in the complete absence of men, yet all marked by their presence, the similarity of their fates blurring together different times and customs.
Shimkent hôtel tells the story of a young man who's experienced the failure of a business venture in the Afghan mountains, and who suffers from shock in Kazakhstan.
In the footsteps of a top Tajik officer who rallied to the Islamic State, an investigation into the jihadist temptation in the former Soviet republics of Central Asia.
The film tells about human loneliness. At times, overcoming obstacles and destructing something, we build a comfortable world for ourselves. Later, after some time we realize that we are alone in the world that we have built. But there is no way back, and losing a beloved person, we lose the whole world. “Never receive such telegrams!”.
The story of a village boy's first love.
A true story, based on the tragedy of the family of the died military journalist in Post-Soviet Tajikistan in 1993. This film is a debut film of young Tajik art activist, a novice filmmaker Anisa Sabiri. Native to rural Tajikistan, she hopes to use her art to shine a light on the history and horrors of the civil war and conflicts that have affected so many in her homeland, but are often forgotten by the rest of the world.
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A documentary about Abdulmamad Bekmamadov, also known as Abdul, who came to Russia from Tajikistan to work. He tells the story of his hard life in Moscow through traditional Pamirian tunes.