Callas Forever(2002)
A fictionalized account of the last days of opera singer Maria Callas.
A fictionalized account of the last days of opera singer Maria Callas.
Maria Callas, one of the most talented opera singers of her time, seemed to have it all. Coming from humble origins, she always felt slighted by her mother's preference for her sister. She grew up in an unhappy environment, until her career in the operatic world took off. Aristotles Onassis also came from a poor Greek family. His ambition took him places where others dare not go and became a shipping magnate whose great wealth bought his entry into an international society he didn't ever dreamed of entering. These two powerful personalities were so much alike that their own passion served to destroy them.
Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs, the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.
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Maria Callas’ legendary live performances from the Royal Opera House, Covent Garden, from 1962 and 1964 celebrate her triumphant return to the Covent Garden stage. Repertoire from these performances include Verdi: Tu che le vanità (Don Carlo), Bizet: Habanera & Séguedille (Carmen) and Puccini: Tosca (Act II complete). Her vivid portrayals of the tragic Elisabeth de Valois, the tantalising Carmen, and her vulnerable Tosca (directed by Franco Zeffirelli) captured the hearts of the London audiences. This is Maria Callas as the world remembers her. Renato Cioni, Tito Gobbi, Robert Bowman, Dennis Wicks Orchestra & Chorus of the Royal Opera House, Covent Garden- Conducted by Georges Prêtre & Carlo Felice Cillario.
This revealing documentary from director Philippe Kohly examines the storied life of renowned soprano Maria Callas, from her troubled childhood in New York City to her scandal-laden but triumphant international career in opera. Featuring archival interviews with Callas herself and footage of contemporaries such as her lover Aristotle Onassis, this celebration of "La Divina" pays tribute to her enduring legacy some three decades after her death.
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After the death of his sick wife, a man discovers that she had an e-mail friend he did not know.
In the first part of this short film, Schroeter tries to visualize the artist as Lucia in the mad scene of the third act of the Donizetti opera. Schroeter uses four scene photos of Callas, isolated on a dark background, in gestures and facial expressions, highlights of the mad scene and cuts them one after the other in such a way that the impression of movement - of walking - arises. This anticipated movement becomes an ornament as the photos are dragged from right to left. The unnatural effect could be an accurate expression of madness. In the second part of the film, Schroeter uses three more shots of the singer: a private photo of Callas as Norma and a picture in a magazine that probably shows her in an exuberant pose as Medea (Cherubini) and nicknamed her “the tigress” in the press. The film has such a musical rhythm in its editing technique that the sound could be dispensed with.
A meditation on the female body as a source of both power and pain that focuses on the tragic figure of renowned American-Greek opera singer Maria Callas (1923-77), whose stunning soprano voice captivated audiences around the world in the mid-20th century while her life was wracked by scandal and personal suffering.
Narrated by cinema legend Franco Zeffirelli, this intimate made-for-television documentary traces the life and times of the mercurial Maria Callas, one of the most renowned and respected operatic divas of the mid-20th century. Rare authentic footage, candid interviews and breathtaking performances help paint a portrait of an artist remembered as much for her quick and explosive temper as she is for her immeasurable talent.
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The career of Maria Callas was just a bit too early and too brief to receive full and satisfying video documentation like that now being accorded to such singers as Renée Fleming and Luciano Pavarotti. This black-and-white televised recital (Callas's Paris debut) took place at the Paris Opera on December 19, 1958 when television was still in its infancy. We might wish that it had happened earlier, when her voice was in better condition, or later, when video recording technology was more advanced--so that, for example, we would not have to take the narrator's word that Callas is wearing a red dress. But this is probably the best available Callas video recording, and her fans will welcome it warmly. Visual elements were as important as the vocal dimensions in her art.
The documentary "The Greek Maria Callas", directed by Tassos Psarras, broadcast by ERT1 on Saturday, September 23, 2017, at 13:20, focuses on the Greek period of Callas and the visits to Greece from 1957 until her death .
Portrait of American-born Greek soprano Maria Callas with excerpts from the following programs or films: "Grande Nuit de l'Opéra 1958", "Trois Jours avec Maria Callas", "L'invité du Dimanche", and "Médée" (1969) by Pier Paolo Pasolini.
Directed by Tony Palmer for Melvyn Bragg's British television South Bank Show, this doco on Callas uses interviews with those that new the Greek soprano, news footage and Callas herself talking intercut in time with footage of her singing, often with the choice of music commenting on her life, though regrettably none of the music is identified for us.
1997 documentary with then-new interviews with people who worked with la Callas, as well as archive footage of interviews with associates. Film clips, photos and recordings illustrate her performance powers.
The 1959 concert finds Callas just 1 year before the loss of her voice and although her voice is not what it was in 1952 you can still hear the Vocal Miracle. The repertoire interchanges between heavy dramatic soprano (Lady Macbeth, Elisabetta), to soprano coloratura (Rosina) and to soprano dramatico d'agilita (Imogene in Pirata, Gulia). The maturity of the interpretation regarding the legatti, the phrasing is astounding and Callas dominates each aria singing them in the only possible way. "Tu che invoco" appears as a cataract of dramatic phrases in a fine classical style of this classical period opera, then Lady Macbeth appears diabolical & dark although she avoids keeping her voice in the high C, her Rosina is sparkling and facile in the coloratura as if it is a natural way of speaking and Elisabetta is where time stops: the drama in this aria holds a metaphysical aura. Finally her entire Mad Scene from Pirata shows all her talent as an actress and bel canto singer.
Animated stills of Maria Callas and overlaid with a soundtrack of her singing.
Legendary opera singer Maria Callas had an extraordinary career, colored as much by supreme success as it was by terrible heartache. Yet despite her tumultuous private life, Callas's powerful soprano voice rarely faltered. Narrated by Rosalie Crutchley, this well-rounded documentary features extensive interviews and numerous performances, including the diva's final concert in Tokyo and a rare recording taken a class at the Julliard School.