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A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.
Charlie Anderson, a farmer in Shenandoah, Virginia, finds himself and his family in the middle of the Civil War he wants nothing to do with. When his youngest boy is taken prisoner by the North, the Civil War is forced upon him.
During a war in an imaginary country, unscrupulous soldiers recruit poor farmers with promises of an easy and happy life. Two of these farmers write to their wives of their exploits.
Nagisa Oshima’s most personal film is a reflection by the director on his own disillusionment with the revolutionary student movement of the 1950s and the failure of political radicalism. Taking its title (as a reference or homage) from Alain Resnais’ pivotal 1956 documentary Nuit et Brouillard, the film has a group of former student revolutionaries who meet again years later at the wedding of one of their classmates. Old feelings, rivalries and grudges gradually erupt to the surface as the one-time friends recall the various treacheries by which their cause was defeated. Cutting between times past and the present, and unfolding the action from each of his characters viewpoints, Oshima creates an abstract and yet engrossing study of passions past and principles eroded. —Yume Pictures.
This Japanese film speculates on the events which lead the U.S. and the Soviet Union into a nuclear Armageddon.
It is the Second World War. The Nazis have invaded Britain. There is a split between the resistance and those who prefer to collaborate with the invaders for a quiet life. The protagonist, a nurse, is caught in the middle.
Three British soldiers and their German captive trek through the European countryside.
Lionel Rogosin's plea for humanity and against war and fascism. For two years, Rogosin traveled to twelve countries to collect footage of war atrocities from their archives. He interspersed these harrowing images with scenes of a London cocktail party's mundane chatter. Good Times, Wonderful Times was released in 1964 at the height of the Vietnam War, and became one of the great anti-war films of the era.
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