The Astronomer's Dream(1898)
An astronomer has a terrifying dream.
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An astronomer has a terrifying dream.
One of the greatest of black art pictures. The conjurer appears before the audience, with his head in its proper place. He then removes his head, and throwing it in the air, it appears on the table opposite another head, and both detached heads sing in unison. The conjurer then removes it a third time. You then see all three of his heads, which are exact duplicates, upon the table at one time, while the conjurer again stands before the audience with his head perfectly intact, singing in unison with the three heads upon the table. He closes the picture by bowing himself from the stage.
In this scene is shown a magician behind an ordinary table, upon which he suddenly and mysteriously causes to appear a large box, into which he leaps. The sides of the box fall to the ground, but instead of containing the magician a lively clown steps forth who further mystifies the audience by causing the box to disappear, and in its place is seen a fully laid table with a smoking dinner, to which the clown applies himself. The table, however, suddenly disappears much to the astonishment of the clown, who is confronted by the magician in the garb of Mephistopheles. This he suddenly changes to that of a sculptor, and in the background is seen a pedestal with the bust of a young lady, which comes to life as the sculptor applies the mallet and chisel.
Santa arrives at a house on Christmas Eve to deliver his presents for the children.
Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.
St. Anthony is tempted by visions of women, including one that is transformed from the image of Jesus Christ Himself!
The scene opens in an artist's studio where the unfinished statue of William Tell stands upon a pedestal. A clown appears and sticks a clay arm and clay head on the statue, thus completing it. He places a large brick on top of the head to make it stick. When he turns his back the statue turns into a living representation of William Tell. (Edison Catalog)
A magician performs a series of magic tricks involving a boy and a box.
A magician performs a series of magic tricks involving a boy and a box.
A film directed by the pioneer of cinema in Azerbaijan, Alexandre Michon, it was filmed on August 4, 1898 in Balakhany, Baku and presented at the International Paris Exhibition. The film was shot using a 35mm film on a Lumière cinematograph. Silent movie. (Wikipedia)
In front of a flour mill, two men fight. One is the miller, and he's swinging a bag of flour in the scuffle. The other is a chimney sweep, and he's swinging what may be a bag of flour, but when it breaks open, it's clearly something else. Well into the havoc, spectators gather and give chase to the flour-covered sweep and the "well-sooted" miller.
Showing Pygmalion at work in his studio on the statue of Galatea, who, on being completed, comes to life. He attempts to clasp her to his arms, when the bust leaves the body and crossing the room mocks at him standing with the lower portion of her body in his hands. Further startling illusions are seen in this most beautiful picture.
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Earliest known example of African American intimacy on screen.
A clown cuts off a customer's head and replaces it.
George Smith's picture of the crowds out for a stroll on what I imagine is Brighton Pier.
Probably the first video of a Pope: Leo XIII blesses the viewers and makes a trip on his coach.
Come Along, Do! is an 1898 British short silent comedy film, produced and directed by Robert W. Paul. The film was of 1 minute duration, but only forty-some seconds have survived. The whole of the second shot is only available as film stills. The film features an elderly man at an art gallery who takes a great interest in a nude statue to the irritation of his wife. The film has cinematographic significance as the first example of film continuity. It was, according to Michael Brooke of BFI Screenonline, "one of the first films to feature more than one shot." In the first shot, an elderly couple is outside an art exhibition having lunch and then follow other people inside through the door. The second shot shows what they do inside.
He sits asleep at a bare table; old witch enters, raps three times, then disappears; cavalier sees table spread for a sumptuous repast. Mephistopheles appears; then the old witch, who suddenly changes to a beautiful young girl. The changes and magical appearances are startling and instantaneous.
Studies on human pathological locomotion.
The film was filmed in Bibi-Heybat, a suburb of Baku (now the capital of Azerbaijan), during a fire at the Bibi-Heybat oil field. The film was shot on 35mm film by the Lumiere brothers in 1898. On August 2 of the same year, a demonstration of Alexander Michon's program took place, which included the film "Fire at an oil fountain in Bibiheybat".
Photographer tries to take a picture of a ghost, but it won't keep still and then vanishes.
The Reading's [Pennsylvania] pitcher has just let a Newark [New Jersey] batsman walk to first. Our camera is stationed about twenty feet from the bag, and the satisfied grin of the runner is great as he touches first and gets up on his toes for second. Next man cracks first ball pitched for a two-bagger, and races for the base with a wonderful burst of speed. First baseman just misses a put out. Very exciting. Man on the coaching line yells, and umpire runs up and makes decision. Small boy runs past back of the catcher close to the grand stand, where there is great commotion. A most excellent subject, treated brilliantly.
Generally credited as the first known film by a Canadian filmmaker.
A record of a bicycle race held at the Arroyo Seco velodrome, which was located in the Quinta de Iglesias street (modern day Agraciada) by Entre Ríos, Zapicán and San Fructuoso.
A young woman stumbles across a cave that is populated by the spirits and skeletons of people who died there under mysterious circumstances.
Pelicans being released for feeding into their enclosure at London Zoological Gardens.
Don Juan Tenorio is a 1898 Mexican silent drama film directed by Salvador Toscano who was Mexico’s first filmmaker and is also the first film adaptation of Don Juan Tenorio, a play by José Zorrilla.
A religious procession during the Holy Week in Seville, Spain.
A soldier and a serving-girl are courting on a bench. A fat old lady sits on the bench, interrupting them.