To the Ends of the Earth(2019)
A young Japanese woman named Yoko finds her cautious and insular nature tested when she travels to Uzbekistan to shoot the latest episode of her travel variety show.
A young Japanese woman named Yoko finds her cautious and insular nature tested when she travels to Uzbekistan to shoot the latest episode of her travel variety show.
Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.
The movie tells the story of two filmmakers seeking talented people for acting in a musical entitled Maftuningman (Delighted by You). One of the filmmakers travels to different parts of the Uzbek SSR in search of potential actors. Wherever he goes he meets exceptionally talented people and hears about other gifted people in different parts of the country. The actors for the movie were in fact chosen in this way from different parts of Uzbekistan.
The events in Mahallada duv-duv gap occur in a mahalla — a traditional Uzbek neighborhood — in an old part of Tashkent at a time when big-scale construction works are taking place. The movie humorously depicts the relationships between traditional parents and their modern children.
The film follows the lives of four upper-class teenage boys in Tashkent, Uzbekistan including the shy son of a famous film director, a chubby cut-up, son of a rich and successful businessman, and a tough aspiring playwright who works after school to avoid his raging alcoholic of a father. The four all live in the same housing complex and go to the same high school, where they fall for a beautiful, tough-as-nails new female student. Within the exotic locale of Uzbekistan, the boys experience the usual "growing pains" as they fall in love, "borrow" the family car, work hard to earn extra money and have too much to drink. A funny, touching slice-of-life comedy-drama.
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According to a central Asian tradition, the younger brother is responsible for the wife of his brother in his absence. So 13-year-old Jamshed is too. Lack of work made his brother leave for the West to earn money. Jamshed does what he should do, even though he dreams of things that boys of his age much prefer to do. He regards his sister-in-law and his duty to her as a burden.
Kamil’s peaceful life with his three wives in the remote region of Turkestan is disrupted when the fourth wife arrives. Changes simultaneously rush at a family that seem far from a historical upheaval that destroys long-standing family traditions.
One mother-in-law and seven daughter-in-laws. Traditions of one Uzbek family.
Islam and terrorism have nothing in common. The lack of purpose in life encourages young people to join the radicals. The main goal of the film is to show the audience the reverse side of the romanticized life of ISIS fighters.