When an unattractive man gets engaged to a beautiful woman, their families oppose the union and the priest set to perform the ceremony is kidnapped.
Four mismatched couples meet at an exclusive resort in search of new adventures to improve their relationship. All of them will do their best to find the balance with their better half, but to achieve it they will have to overcome the difficult tests that love poses.
In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
Four couples attend a spiritual retreat in the Caribbean to safe their relationships. They have to overcome the tests set by 2 unusual love gurus, and fight for their own lives, which wasn't part of the plan.
Juan Pablo, upon learning that he was going to die, decided to steal from the mafia and spend every penny in Europe with Javier, his only friend. Thus, these humble employees embark on a costly and fun journey, with the complicity of Monica, their co-worker.
A movie about making movies about making movies. In 1968, William Greaves shot several pairs of actors in a scene in which a woman confronts her husband and ends their relationship. In "Take 2 1/2," Greaves starts with 1968 takes of one of these pairs of actors plus footage of the crew discussing the film's progress. Then, 35 years later, Greaves brings back to Central Park those actors and some of the original crew (plus others) to film a reunion of the characters Alice and Freddie. We watch scenes of these characters and discussions among the actors and crew. Greaves explores and dramatizes the dialectic in the creative process.
When a newly single photographer is forced to work with a longtime rival, the battle of their egos turns into a chance for love.
An amateur comedian who tries to make a name for himself doing Stand Up Comedy in several bars in Bogota, with no money and still living with his parents, pretends to be someone with money to meet his better half, without knowing that she also hides some secrets.
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Antonio tries to show his friend Carlos that his wife cheats on him. As he tries to make his friends see the truth, a number of different people and funny situations come up.
This time, Gorda Fabiola and Polilla's witty banter moves to the city of sin, Las Vegas. Juancho decides to avenge the death of his policeman father and learns that the murderer is in town. To do so, he will have the help of Polilla and his adopted son Pachuco, who at all times will try to hide the truth of his trip from Fabiola.
Fabiola receives a false job offer in San Francisco, and when she arrives she is kidnapped by a Middle Eastern prince who prefers women with a few extra pounds. Now her husband fights multiple gangs (black, chinese and gay) and language barriers to get her back.
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With a short life expectancy, a young woman uses faith and her vivid imagination to navigate adversity and create a story that impacts around her.
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Two friends, cab drivers, promise the Virgin of Carmen, patron saint of drivers, that they will travel to Brazil if the Colombian national soccer team qualifies for the 2014 World Cup.
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