Five shorts reveal a fictional Hong Kong in 2025, depicting a dystopian city where residents and activists face crackdowns under iron-fisted rule.
A paralysed and hopeless Hong Kong man meets his new Filipino carer, who has put her dream on hold and come to the city to earn a living. These two strangers live under the same roof through different seasons. As they learn more about each other, they also learn more about themselves. Together, they learn about how to face the different seasons of life.
On a night just like any other, a minibus full of passengers drives through a tunnel and arrives in another dimension; the eclectic group of passengers seek refuge in a deserted cafe and make a horrific discovery.
Struggling to adjust to her new life in Taipei, introverted high school girl Miao Miao opens up after meeting outgoing classmate Xiao Ai who becomes increasingly enamoured with her new friend. Unaware of Xiao Ai's confused feelings for her, Miao Miao falls for brooding CD shop owner Chen Fei, who seems determined to block out the world with a pair of headphones.
Serving countless newlyweds in Hong Kong’s go-to one-stop-shop of cheap wedding supplies doesn’t exempt Fong from social pressure to marry. Since nodding to Edward’s proposal, she has been pushed beyond limits by unaffordable housing, archaic customs, and intrusive in-laws. What befuddles her further is the reappearance of Shuwei, a mainlander she’s supposed to be divorced from out of a sham marriage that solved her coming-of-age hardship. Zeroing in on nuts and bolts of modern marriage, My Prince Edward pokes around fixated correlations of freedom with relationship status and geographic residence. Like a breath of fresh air out of the breathless space it navigates, the whimsical gem contributes a rare humane take on the worldly metropolis's divisions with humor and wisdom.
The financial analysis of a Chinese IT firm has been stolen, and a senior executive at the investment bank that wrote it must pay a ransom before the confidential report is released to the public. However, eyebrows are raised when the thieves ask for a surprisingly low amount for the ransom. What are the thieves really after?
Lok is a recovering schizophrenic who yearns for love. One day, he encounters the young and beautiful Yan and quickly falls in love with her. The pair develops a relationship that is beyond their wildest dreams.
Mrs. Wong knows her husband is carrying on an affair, but for the sake of their marriage and autistic son, she has chosen to silently endure. However, the mistress comes to disturb them, and in the end, Mr. Wong leaves home after a fight. Feeling at a loss and struggling to watch over her son by herself, Mrs. Wong begins to plot ways to take revenge against the mistress, but her plans get discovered by other housewives.
Chi is a lousy real estate agent who muddles through life. Growing up, his mother has always told him to lead a simple life, until he reunites with his primary school P.E. teacher, Mr Wong. Mr Wong, who’s been increasingly ill, wants to keep his promise to his late wife to finish a 10k race; At the same time, his student, an overweight student called Tin Sum aims to finish her first ever 5k race just so she can run with her idol. As Mr Wong and Tin Sum fight for their goals, Chi, discouraged, stands at a crossroad and roams aimlessly in life. Until one day, memories from 20 years ago light up Chi’s world. For once in his life, Chi swears to cheer himself on.
Everyphone Everywhere’s cross-cutting narrative brings together a large set of players within the mobile-communications theme. First there’s designer Chung Chit (Endy Chow), who rushes to catch a ferry and leaves his phone at home. There’s no time to retrieve the device, so he tries to soldier on without it – and the results are eye-opening. Eventually, he’ll need to call his wife Ivy (Cecilia Choi) to awkwardly help him out. Meanwhile, soon-to-emigrate middle manager Raymond Ho (Peter Chan) starts his day with his WhatsApp account hacked and frozen. Broken contacts aside, his big fear is exposure of shady workplace practices and possible blackmail or arrest. Then there’s Ana (Rosa Maria Velasco), an old classmate of theirs who’s waiting in a private kitchen and getting odd messages. And all the time a young lady, Yanki (Amy Tang), and a nerdy computer wiz (Henick Chou) are busy using messaging apps for sleazy purposes.
The Kowloon Industrial District is home to many of Hong Kong’s artists, including rapper Heyo, YouTuber Alan, rising star Hana, and dancer. However, the government is preparing the area for gentrification. The group from ‘The Way We Dance’ were invited to participate in a publicity stunt to transform the district into a ‘Dance Street’. Alan points out that this is an opportunity to garner support from the public. Meanwhile, Heyo’s master Afuc is planning a revolution.
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