Presenting the tale of American founding father Alexander Hamilton, this filmed version of the original Broadway smash hit is the story of America then, told by America now.
A look at the relationship between Marie Antoinette and one of her readers during the final days of the French Revolution.
Aristocrat Guillaume de Saint Preux leads a double life as a masked bandit known as the Black Tulip. The Black Tulip only robs rich aristocrats, so the local peasants regard him as a hero. Baron La Mouche is convinced Guillaume is the Tulip. During a robbery, he scars the Tulip's face, and hopes to use this to expose Guillaume, but Guillaume is one step ahead.
A history of the French Revolution from the decision of the king to convene the Etats-Generaux in 1789 in order to deal with France's debt problem. The first part of the movie tells the story from 1789 until August 10, 1792 (when the King Louis XVI lost all his authority and was put in prison). The second part carries the story through the end of the terror in 1794, including the deaths by guillotine of Louis XVI, Marie-Antoinette, Danton, and Desmoulins.
The time of the French revolution, and Citizen Robespierre is beheading the French aristocracy. When word gets to England, two noblemen, Sir Rodney Ffing and Lord Darcy Pue take it upon themselves to aid their French counterparts. Sir Rodney is a master of disguise, and becomes "The Black Fingernail", scourge of Camembert and Bidet, leaders of the French secret police.
Oscar François de Jarjayes was born female, but her father insisted she be raised as a boy as he had no sons. She becomes the captain of the guards at Versailles under King Louis XVI and Marie Antonette. Her privileged, noble life comes under fire as she discovers the hard life of the poor people of France. She is caught up in the French Revolution, and must choose between her loyalty and love.
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The Mutiny of the Bounty is a 1916 Australian-New Zealand silent film directed by Raymond Longford about the mutiny aboard HMS Bounty. It is the first known cinematic dramatization of this story and is considered a lost film. Longford claimed it was the first Australian film to shoot scenes at sea.
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