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A film shot during the summer of 1968 in Oakland, California around the meetings organised by the Black Panthers Party to free Huey Newton, one of their leaders, and to turn his trial into a political debate. They tried and succeeded in catching America’s attention.
Set in a leper colony in the north of Iran, The House is Black juxtaposes "ugliness," of which there is much in the world as stated in the opening scenes, with religion and gratitude.
An elegant and humorous film—in the guise of a serious anthropological treatise—spotlights "The Perfect Human," a model of the modern Dane created by our wishful thinking.
A scientific film essay, narrated by Phil Morrison. A set of pictures of two picnickers in a park, with the area of each frame one-tenth the size of the one before. Starting from a view of the entire known universe, the camera gradually zooms in until we are viewing the subatomic particles on a man's hand.
This fly on the wall-style documentary from 1961 won an Oscar for best documentary, and shows the changing patterns of human emotions during 24 hours in the life of Waterloo Station.
Originally commissioned by an Austrian couple in 1961 to photograph a travel diary documenting their wild game hunt, Kubelka shot three hours of film and recorded fourteen hours of audio. Over the next few years, Kubelka toiled in the editing bay, producing a work charged with intricate, ironic brutality.
Bruce Conner’s most celebrated film for a reason: it takes historical moments that were replayed over and over on television—chilling repetition of Kennedy assassination coverage—and repurposes them into a meditation on how the media tries to exert authority and apply a sense of order to the anarchic. And though it may sound perverse to say so, the film is also—not incidentally—a thrill to watch. -- The A.V. Club.
Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.
Images and poems of the celebrated couple Louis Aragon and Elsa Triolet. Elsa’s youth as recalled by Aragon, with commentary by Elsa.
Basically, 'Herakles' is an omnium-gatherum of film clips depicting images of machismo. Some of those images are explicitly macho: we see various body-builders flexing their biceps and triceps. Other images seen here are not macho in the literal sense, but are indirectly related to testosterone or cojones on some level: we see military aircraft making bombing raids, and footage of car crashes.
Inspired by a lesson from Erik Satie, a film in the form of a street: Castro Street, running by the Standard Oil Refinery in Richmond, California. Preserved by the Academy Film Archive in partnership with Pacific Film Archive in 2000.
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A triumph of film art, creating on the screen a vast, awe-inspiring picture of the universe as it would appear to a voyager through space, this film was among the sources of inspiration used by Stanley Kubrick for his 2001: A Space Odyssey. Realistic animation takes you into far regions of space, beyond the reach of the strongest telescope, past Moon, Sun, and Milky Way, into galaxies yet unfathomed.
A man takes his American freedoms for granted, until he wakes up one morning to find out that the United States Government has been replaced with a Communist system. The basis for this short film, narrated by Jack Webb, is the alleged Soviet re-creation of US communities for the purpose of training infiltrators, spies, and moles.
An essay film critiquing post-war France's urban developments- Pialat states that modernity and suburban convenience have limited Parisian freedom and widened class gaps.
Comprising train and track footage quickly shot just before a heavy winter's snowfall was melting, the multi-award-winning classic that emerged from the cutting-room compresses British Rail's dedication to blizzard-battling into a thrilling eight-minute montage cut to music. Tough-as-boots workers struggling to keep the line clear are counterpointed with passengers' buffet-car comforts.
The insane government bureaucracy at a state pension window.
Everyday the children of the neighborhood known as "Tire Dié", in the city of Santa Fe, wait for the train to ask for money, shouting "Tire dié!" (toss me a dime!) to the passengers. Considered the first survey-on-film in Latin America.
This documentary goes behind-the-scenes with Peanuts creator Charles M. Schulz. This film paved the way for the future success of the Peanuts animated television specials, bringing together for the first time Schulz, animator Bill Melendez, producer Lee Mendelson, and composer Vince Guaraldi.
The March, also known as The March to Washington, is a 1964 documentary film by James Blue about the 1963 civil rights March on Washington. It was made for the Motion Picture Service unit of the United States Information Agency for use outside the United States – the 1948 Smith-Mundt Act prevented USIA films from being shown domestically without a special act of Congress. In 1990 Congress authorized these films to be shown in the U.S. twelve years after their initial release. In 2008, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". (Wikipedia)
In his experimental short film "Brutalität in Stein" (Brutality in Stone), Alexander Kluge demonstrates how Nazi architecture used dimensions of inhuman and super-human scale to bolster the regime's politics of the same kind. Shots of huge neo-classical architectural structures from the Nazi period are confronted with equally anti-human national-socialist language as a voice-over.
An atmospheric tribute to the genius of Welsh poet and dramatist Dylan Thomas, using many of the windswept locations where Thomas himself grew up and found his inspiration. The film is hosted/presented by Richard Burton, Thomas's friend, who narrates the story and appears from time to time amidst the Welsh landscape. Burton had already appeared in Douglas Cleverdon's acclaimed BBC radio dramatization of Thomas's 'play for voices' Under Milk Wood in the 1950s and, in the early Seventies, would appear in director Andrew Sinclair's film version as First Voice.
John Glenn's first flight ushered in the modern era of space exploration for America. His landmark return to space represented the final chapter of space exploration in the 20th century.
A 1964 documentary portrait of Cohen in his pre-musician days as a poet and stand-up comedian.
George Lucas's senior project at the University of Southern California in 1966. It was named for the lap time of the Lotus 23 race car that was the subject of the film. It is a nonstory visual tone poem depicting the imagery of a car going at full speed, and featuring the car's engine as the primary sound element. Shot on 16mm color film with a 14 man student crew, it was filmed at Willow Springs Raceway, north of Los Angeles, CA. The Lotus 23 was driven by Pete Brock.
A 1968 animation/documentary that criticises the industrial system.
The real story of Quilombo Olho d'Água from Serra do Talhado, in the state of Paraíba, Brazil, which became institutionally isolated from the rest of the country. Quilombos were runaway slave communities in colonial Brazil.
On your marks. Follow cyclists from 13 countries as they cover 2.400 km of Gaspé countryside in 12 days-a course longer than those of Italy, Belgium or Spain. The long shots of curving landscape and open road are set to a mesmerizing soundtrack in this documentary, and the results are spellbinding.
140 Days Under the World is a 1964 New Zealand short documentary film about Antarctica. It depicts one summer's work by New Zealand scientists in the Ross Dependency in the Antarctic and the exploration of some of the last unmapped regions. It was nominated for an Academy Award for Best Documentary Short.
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