The Kiss(1896)
They get ready to kiss, begin to kiss, and kiss in a way that brings down the house every time.
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They get ready to kiss, begin to kiss, and kiss in a way that brings down the house every time.
A romantic couple are transformed into skeletons via X-Rays. The film combines two very recent innovations: Wilhelm Roentgen's discovery of X-rays in 1895, and Georges Méliès' accidental realisation of the special-effects potential of the jump-cut in 1896.
Earliest known example of African American intimacy on screen.