Am Rande der Hauptstadt des Tschad arbeitet die entschlossene alleinerziehende Mutter Amina unermüdlich, um für sich und ihre 15-jährige Tochter Maria zu sorgen. Als Amina feststellt, dass Maria schwanger ist und kein Kind will, suchen die beiden Frauen nach einer Abtreibung, die sowohl von der Religion als auch vom Gesetz verurteilt wird. Dabei entwickeln Mutter und Tochter eine Verbindung, die stärker ist als alles, was sie je erlebt haben.
Souleymane, 25, dreams of being a dancer in spite of having a paralyzed leg. At nightclubs, he transforms into the beloved dancer Grigris, impressing people with his moves. However, when his stepfather falls seriously ill, Souleymane desperately needs money and decides to work for petrol smugglers.
Der Tschad, heute: Der 60 Jahre alte Adam ist schwer enttäuscht, als er seinen Job als Poolboy in einem Hotel aufgeben muss, während sein Sohn Abdel seinen Posten dort behalten darf. Adam verkauft seinen Filius und Konkurrenten an die Armee, die ihn "kidnappt", um seinen angestammten Job, der alles für ihn bedeutet, wieder zu bekommen und gleichzeitig seinen Obolus an den Militärchef des Viertels zu zahlen. Doch die Schuld lastet schwer auf ihm.
Two boys (Tamir & Amine) awake one morning to find that their father has abandoned their family. Shocked, they begin to misbehave. While surreptitiously watching a movie, they think they see their father speaking to them and steal the film to examine the frames. Their mother (Achta) eventually despairs and sends them to Koranic school. Unhappy, they plan their escape until the eldest boy falls in love with a deaf girl (Khalil).
Started in 2018, the project – comprised of 11 segments by filmmakers from all around the world – reflects on the intertwined relationship between human society and nature that is aggravated by climate change on multiple scales, hinting at possible solutions.
Filmmakers Ibrahim, Suliman, Eltayeb and Manar, close friends for many years, left their motherland in the sixties and seventies to study film abroad and founded the Sudanese Film Group in 1989. After years of distance and exile, they are reunited, hoping to finally make their old dream come true: to bring back cinema to Sudan by reopening the Halfaia Cinema, a dilapidated theater in Khartoum.
In an unnamed African country, a journalist is jailed after attempting to report on a sadistic colonel's death squad.
A Chadian film director who lives and works in France (Haroun) returns home upon the death of his mother. He is shocked at the degraded state of the country and the national cinema. The filmmaker decides to make a film dedicated to his mother.
In 2013, former Chadian dictator Hissein Habré’s arrest in Senegal marked the end of a long combat for the survivors of his regime. Accompanied by the Chairman of the Association of the Victims of the Hissein Habré Regime, Mahamat Saleh Haroun goes to meet those who survived this tragedy and who still bear the scars of the horror in their flesh and in their souls. Through their courage and determination, the victims accomplish an unprecedented feat in the history of Africa: that of bringing a Head of State to trial.
Footage of the investigation documentary telling about the extermination of African elephants lasted almost three years. The film crew traveled throughout 30 countries to make a route of ivory smuggling and to find out the true culprit of these crimes against elephants.
Mahamat-Saleh Haroun lost his close friend and collaborator Hissein Djibrine (nicknamed 'Kalala' after the Congolese footballer) to Aids in 2003. he returned to Chad to make this personal, cathartic documentary as an expression of his grief to unravel the facts about Kalala's death and to honour his memory.
Directed by Mahamat-Saleh Haroun.
Moussa attempts to cross the desert to escape his debts, only to return to his village defeated and dejected.
Chad, 2006. After a forty-year civil war, the radio announces the government has just amnestied the war criminals. Outraged by the news, Gumar Abatcha orders his grandson Atim, a sixteen-year-old youth, to trace the man who killed his father and to execute him. Atim obeys him and, armed with his father's own gun, he goes in search of Nassara, the man who made him an orphan. It does not take long before he finds him. Nassara, who now goes straight, is married, goes to the mosque and owns a small bakery. After some hesitation Atim offers him his services as an apprentice. He is hired then it will be easy for him to gun down the murderer of his father. At least, that is what he thinks...
In a small Central African village, boyhood friends Djimi and Koni have come of age under a post-colonial government that levies crippling taxes and legally robs local farmers of their meager crops. When impulsive Koni savagely attacks a visiting government official, the resulting massacre forces the two friends on a journey that will transform them from boys into men, from farmers into soldiers and from villagers into revolutionaries. "We fight in one world so we can live in another," declares Koni as the two battle shoulder to shoulder against government troops. But while Koni embraces the politics and carnage of their dangerous new guerilla existence, Djimi longs for the simplicity and grace of the village life they've left behind. As the rebels move closer to victory, the two friends move closer to a clash of their own.
Majid fights his own coach for Faiza's heart and the dream of playing international football.
In this wonderful hybrid of fiction and documentary, we become the close companions of Ali Baba Nour, a Chadian cab driver who explains his hopes and dreams, his challenges in a difficult and often violent society, and his optimism for the baby he and his wife are expecting. In this urban poem, we are treated to the color and movement of Ali Baba Nour's city. It is a generous postcard that one might send to a friend, telling of an unforgettable acquaintance and place.
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A short film criticizing the practice of female genital mutilation. Alternating between real and enacted footage with various points of view.
The African pioneer Edouard Sailly created a distinctive poetic cinema. Here, he ponders the state of mind of a mourning fisherman.