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Flagge von Saint Helena, Ascension und Tristan da CunhaFilme: Beste Filme aus Saint Helena, Ascension und Tristan da Cunha

St. Helena, Ascension und Tristan da Cunha (englisch St Helena, Ascension and Tristan da Cunha) ist ein Britisches Überseegebiet im südlichen Atlantischen Ozean. Bis zum Inkrafttreten der neuen Verfassung am 1. September 2009 hieß das Gebiet St. Helena und Nebengebiete (englisch Saint Helena and Dependencies). ()
Genutzte Sprachen in Saint Helena, Ascension und Tristan da Cunha: Englisch

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Es wurden 3 Filme für diese Auswahl gefunden (Seite 1/1):

The World's Most Useful Airport(2019)

47 Min. | Dokumentation, Historie / Geschichte

The story behind the construction and operation of the first-ever airport on Saint Helena Island. St. Helena, a British Overseas Territory located in the middle of the South Atlantic Ocean, is one of the most isolated islands in the world. Its gross domestic product (GDP) per capita is well below that of the rest of the United Kingdom. The reduction in travel times from days to hours will hopefully create an economic boom on the island.

37°4 S(2013)

12 Min. | Romantik / Liebe, Drama
3,0/5 (bei 3 Stimmen)

Nowadays, in Tristan da Cunha. 270 people live on this small island in the middle of the Atlantic Ocean. Nick and Anne, two teenagers, have known each other since their birth, and are lovers since childhood. But Anne's just made up her mind: she's going to study in England, 6152 miles away from Tristan.

Sathima's Windsong(2010)

55 Min. | Historie / Geschichte, Dokumentation

Shot in New York, Cape Town, St Helena and the Atlantic Ocean, Sathima's Windsong, is a lyrical portrait of South African jazz singer, Sathima Bea Benjamin. In her Chelsea Hotel apartment, home for over thirty years, she patches together her journeys, from apartheid's 'pattern of brokenness', to a chance meeting and recording with Duke Ellington in Paris, to making a life in New York. The narrative of her journeys are inter-woven with her music and the musings of folks who know her work. Like her haunting song, Windsong, the film is a meditation on displacement, exile and belonging.