Die Ankunft eines Zuges im Bahnhof Ciotat(1896)
Einer der ersten Filme der berühmt gewordenen Frères Lumières, die das Kino an sich begründeten und die Wahrnehmung der Menschen verändern sollte.
Die 1890er Jahre waren ein bahnbrechendes Jahrzehnt für das Kino, in dem sich das bewegte Bild als neue Kunstform herausbildete. Eines der frühesten und wichtigsten Zentren der Filmproduktion in dieser Zeit war Frankreich, wo einige der frühesten Filme der Geschichte gedreht wurden.
In den 1890er Jahren entwickelten und patentierten die Gebrüder Lumière, Auguste und Louis, den Cinématographe, eine frühe Filmkamera, mit der bewegte Bilder aufgenommen und projiziert werden konnten. Die Brüder Lumière nutzten ihre Erfindung, um Kurzfilme zu produzieren und zu verbreiten, von denen viele in Frankreich gedreht wurden.
Zu den frühesten Filmen, die in dieser Zeit in Frankreich gedreht wurden, gehören "Arbeiter verlassen die Lumière-Fabrik", "Die Ankunft eines Zuges in La Ciotat" und "Der Gärtner". Diese Filme waren bahnbrechend, da sie neue Filmtechniken wie Kameraschwenks und die Verwendung mehrerer Kameraperspektiven einsetzten, die später zum Standard in der Filmproduktion werden sollten.
Neben den Brüdern Lumière begannen auch andere französische Filmemacher, mit dem neuen Medium zu experimentieren, darunter Georges Méliès, der oft als einer der Pioniere des narrativen Films angesehen wird. Méliès drehte in den 1890er Jahren eine Reihe von Kurzfilmen, darunter "The Vanishing Lady" und "A Terrible Night", die Elemente der Magie und der Illusion in ihre Handlungen einbauten.
Die Filme, die in den 1890er Jahren in Frankreich gedreht wurden, legten den Grundstein für die Zukunft des Kinos und werden bis heute wegen ihrer historischen und künstlerischen Bedeutung gefeiert. Obwohl diese Filme nach heutigen Maßstäben relativ kurz und einfach waren, trugen sie entscheidend dazu bei, die grundlegenden Techniken und Prinzipien des Filmemachens zu etablieren, die in den folgenden Jahrzehnten verfeinert und erweitert werden sollten.
Verwandte Listen: 1900 | 1910 | 1920 | 1930 | 1940 | 1950 | 1960 | 1970 | 1980 | 1990 | 2000 | 2010 | 2020
Einer der ersten Filme der berühmt gewordenen Frères Lumières, die das Kino an sich begründeten und die Wahrnehmung der Menschen verändern sollte.
A fairy godmother magically turns Cinderella's rags to a beautiful dress, and a pumpkin into a coach. Cinderella goes to the ball, where she meets the Prince - but will she remember to leave before the magic runs out? Méliès based the art direction on engravings by Gustave Doré. First known example of a fairy-tale adapted to film, and the first film to use dissolves to go from one scene to another.
La Sortie des usines Lumière ist einer der ersten Filme in der Geschichte des Kinos überhaupt und gilt somit als Meilenstein. Es existieren drei verschiedene Versionen.
One night, Arlequin comes to see his lover Colombine. But then Pierrot knocks at the door and Colombine and Arlequin hide. Pierrot starts singing but Arlequin scares him and the poor man goes away.
A father, a mother and a baby are sitting at a table, on a patio outside. Dad is feeding Baby her lunch, while Mum is serving tea.
Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.
A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and looks into the nozzle to find out why the water has stopped coming. The boy then lifts his foot from the hose, whereby the water squirts up in the gardener's face. The gardener chases the boy, grips his ear and slaps him in his buttocks. The boy then runs away and the gardener continues his watering. Three separate versions of this film exist, this is the original, filmed by Louis Lumière.
An astronomer has a terrifying dream.
St. Anthony is tempted by visions of women, including one that is transformed from the image of Jesus Christ Himself!
A man has a fantastical nightmare involving, among other things, a grinning malevolent moon.
Le Manoir du diable or The House of the Devil, released in the United States as The Haunted Castle and in Britain as The Devil's Castle, is an 1896 French short silent film directed by Georges Méliès. The film tells the story of an encounter with the Devil and various attendant phantoms. It is intended to evoke amusement and wonder from its audiences, rather than fear. However, because of its themes and characters, it has been considered to technically be the first horror film, as well as potentially the first vampire film. The film opens with a large bat flying into a medieval castle, circling a room, and then suddenly changing into the Devil. Producing a cauldron, Mephistopheles conjures up a young girl and various supernatural creatures in an effort to scare two cavaliers, eventually succeeding in causing one to flee. Ultimately the remaining cavalier is confronted face-to-face by the Devil before reaching for and brandishing a large crucifix, which causes the Devil to vanish.
Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the road becomes the target of opportunity. He falls off his bicycle. He's not hurt, but he rides back the way he came, as the fight continues.
Tausende Filme, Hunderte Serien, unbegrenztes Musik Streaming, Amazon Prime Premiumversand und viele weitere Vorteile. 30 Tage kostenlos testen, danach nur 8,99 EUR/Monat oder 89,90 EUR/Jahr.
www.amazon.de
Georges Méliès makes a woman disappear, then reappear.
In very bad weather and a stormy sea, a small boat manned by two men is trying to leave the harbor of La Ciotat, while several people are watching them from the nearby pier.
Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.
A man, holding a baby up in his hands, is standing next to a fishbowl. The baby is trying, in vain, to catch a goldfish with her bare hands.
One of the greatest of black art pictures. The conjurer appears before the audience, with his head in its proper place. He then removes his head, and throwing it in the air, it appears on the table opposite another head, and both detached heads sing in unison. The conjurer then removes it a third time. You then see all three of his heads, which are exact duplicates, upon the table at one time, while the conjurer again stands before the audience with his head perfectly intact, singing in unison with the three heads upon the table. He closes the picture by bowing himself from the stage.
Down the gangway, photographers leave the deck of a riverboat in large numbers.
Lasting for roughly 50 seconds, it shows the goodbyes of many passersby - first Europeans, then Palestinian Arabs, then Palestinian Jews - as a train leaves Jerusalem.
While his aide continuously turns the handle of the bellows, keeping hot a small furnace in front of him, a blacksmith is pounding a piece of metal on an anvil, then plunges the shaft into a tub of water, causing a cloud of vapor in the process.
Three friends are playing cards in a beer garden. One of them orders drinks. The waitress comes back with a bottle of wine and three glasses on a tray. The man serves his friends. They clink glasses and drink. Then the man asks for a newspaper. He reads a funny story in it and the three friends burst out laughing while the waitress merely smiles.
A man tries to get a good night's sleep, but is disturbed by a giant spider that leaps onto his bed, and a battle ensues in hilarious comic fashion.
A brief fantasy tale involving a strange fairy who can produce and deliver babies coming out of cabbages. This film is lost or never existed. Copies of it online are actually the 1900 remake.
A weary traveler stops at an inn along the way to get a good night's sleep, but his rest is interrupted by odd happenings when he gets to his room--beds vanishing and re-appearing, candles exploding, pants flying through the air and his shoes walking away by themselves.
A film from Méliès has him playing a magician who does a few tricks including making a woman disappear.
A woman arrives home after the ball. Her servant helps her undress and bathe.
Pedestrian and horse-drawn vehicles traffic, across the Place des Cordeliers, in Lyon.
A priest is officiating at a convent, when suddenly he is transformed into the devil, who frightens away the nuns and turns the place into a outlet of Pandemonium.
A butcher puts a full-grown live pig into his large box-like machine. Moments later, he draws out a full range of pork products, many already packaged for sale.