Die Ankunft eines Zuges im Bahnhof Ciotat(1897)
Einer der ersten Filme der berühmt gewordenen Frères Lumières, die das Kino an sich begründeten und die Wahrnehmung der Menschen verändern sollte.
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Einer der ersten Filme der berühmt gewordenen Frères Lumières, die das Kino an sich begründeten und die Wahrnehmung der Menschen verändern sollte.
La Sortie des usines Lumière ist einer der ersten Filme in der Geschichte des Kinos überhaupt und gilt somit als Meilenstein. Es existieren drei verschiedene Versionen.
A short film depicting the execution of Mary, Queen of the Scots. Mary is brought to the execution block and made to kneel down with her neck over it. The executioner lifts his axe ready to bring it down. After that frame Mary has been replaced by a dummy. The axe comes down and severs the head of the dummy from the body. The executioner picks up the head and shows it around for everyone else to see. One of the first camera tricks to be used in a movie.
A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and looks into the nozzle to find out why the water has stopped coming. The boy then lifts his foot from the hose, whereby the water squirts up in the gardener's face. The gardener chases the boy, grips his ear and slaps him in his buttocks. The boy then runs away and the gardener continues his watering. Three separate versions of this film exist, this is the original, filmed by Louis Lumière.
A father, a mother and a baby are sitting at a table, on a patio outside. Dad is feeding baby his lunch, while mum is serving tea.
In a long, diaphanous skirt, held out by her hands with arms extended, Broadway dancer Annabelle Moore performs. Her dance emphasizes the movement of the flowing cloth. She moves to her right and left across an unadorned stage. Many of the prints were distributed in hand-tinted color.
William K.L. Dickson plays the violin while two men dance. This is the oldest surviving sound film where sound is recorded on the phonograph.
Down the gangway, photographers leave the deck of a riverboat in large numbers.
Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.
In very bad weather and a stormy sea, a small boat manned by two men is trying to leave the harbor of La Ciotat, while several people are watching them from the nearby pier.
Pedestrian and horse-drawn vehicles traffic, across the Place des Cordeliers, in Lyon.
While his aide continuously turns the handle of the bellows, keeping hot a small furnace in front of him, a blacksmith is pounding a piece of metal on an anvil, then plunges the shaft into a tub of water, causing a cloud of vapor in the process.
A young woman dancer with large, flowing robes, swirls round herself quickly, making her light robe flow around her like a butterfly's wings.
A man, holding a baby up in his hands, is standing next to a fishbowl. The baby is trying, in vain, to catch a goldfish with his bare hands.
Three men are sitting around a table, two of them playing a game of Écarté. When the game is over, a domestic serves drinks.
A butcher puts a full-grown live pig into his large box-like machine. Moments later, he draws out a full range of pork products, many already packaged for sale.
Four men stand holding what appears to be a blanket, while one wearing a hat stands watching. A sixth man then runs towards them and attempts to jump into the blanket.
A man and a kangaroo stand up in front of each other with boxing gloves, and simulate a boxing match on a theatre stage.
In the background is a house. In the foreground, a groom holds the reins of a sleek black horse that stands in profile. A tall man, dressed in a black uniform, demonstrates how to mount the horse then encourages and tries to assist a man in white. The man in white keeps falling, and soon it's apparent that he's an putting on a show. His pratfalls become more elaborate and stylish. The horse stands patient. The little groom laughs to see such sport. And finally, the man in white finds a comic accommodation. The story, though brief, has a beginning, middle, and end.
The surf pounds against a breakwater on which are visible several people standing. The wall looks to be about 20 feet above sea level and extend at least 100 feet into the water. A large wave rolls picturesquely along the wall toward the shore. Smaller waves follow. Then the scene changes to river water flowing. We see both shores: in the foreground a log and tree branch are visible; on the far shore, there appears to be a low wall with trees beyond it. The camera is stationary in both shots.
A policeman catches a pickpocket with the assistance of a passing a sailor.
Two children, Ploetz and Larella, perform an Italian peasant dance.
Eight circus performers known as the Grunato family perform their famous balancing act.
The opening of the Kiel Canal in Germany by Kaiser Wilhelm II on 20 June 1895.
Incident at Clovelly Cottage, also known as Incident Outside Clovelly Cottage, Barnet, shot by Birt Acres and produced by Acres and his collaborator Robert W. Paul in March 1895, was the "first successful motion picture film made in Britain" Considered lost since only a few frames have survived.
A man strolling in a city street is attacked by three assailants. A policeman comes to the rescue and the men struggle with each other.
An 1895 British short black and white silent comedy film featuring two drunken men and a boy squabbling in a small bar.