Honey's Money(1962)
Yosemite Sam marries a widow for her money, and once the honeymoon is over, the woman reveals her real bossy...
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Yosemite Sam marries a widow for her money, and once the honeymoon is over, the woman reveals her real bossy...
Heureux Anniversaire is a 1962 French short comedy film directed by Pierre Étaix. While his wife impatiently waits and gets drunk, a husband tries to get the appropriate anniversary gifts and fight his way home through traffic in time for their celebratory lunch. It won an Oscar in 1963 for Best Short Subject.
Pepe Le Pew, the eternally amorous skunk, is in Paris, where the smell of his odor sends a female cat upward to hit a freshly painted flagpole, which puts a white stripe on her back and causes Pepe to think she is a girl skunk. He lustfully pursues her into the Louvre art gallery, where his foul scent causes the images in several paintings to change poses to show their disgust. The female cat's feline lover has also come into the Louvre and challenges Pepe to a duel for possession of her, but is thwarted by Pepe's unbearable stench.
Speedy Gonzales' lethargic cousin, Slowpoke Rodriguez, comes to visit Speedy's hacienda, to the delight of Sylvester Cat, who is confident he will be able to catch Slowpoke for dinner.
Foghorn Leghorn is sound asleep when the barnyard dog places an ostrich egg beside him for a gag. When Foghorn awakes and sees the egg...
Way out in space, on another world whose population is contented, one of its people decides that travel broadens the mind and relieves boredom. So, he flies to Earth in hope of helping the alien Earthlings improve their lot, only to cause panic and be declared a monster just because he looks different. So, he decides to return home, where, at least, he can find love.
"Waiting for Godot" on ice and snow, without words. Against a barren winter landscape, a figure approaches: it's a man, pulling a small sleigh on which another man sits, plucking a dead bird. They stop to trade places; the one now on the sleigh takes out his knitting. Accidents, misunderstandings, disagreements, and an outright fight await our absurd protagonists as their trip to nowhere continues, first with one pulling, then the other. What if they were to lose the sleigh? What rules of civilization and partnership would guide them then?
Eine Demonstration, wie man einen „Tom & Jerry“-Cartoon macht.
Ralph Wolf and Sam Sheepdog punch into work, with Sam guarding a flock of sheep against Ralph's attempts to snatch some mutton for dinner. Ralph uses a lull-a-bye record to put Sam to sleep and steals one of the sheep, but the lamb unzips itself to reveal someone very unexpected beneath!
The Tasmanian Devil finds Bugs cooking dinner underneath a beach boardwalk.
A spoiled-rotten monarch orders royal chef Yosemite Sam to make "Hasenpfeffer", the basic ingredient of which is rabbit. When Bugs comes to the door asking to borrow some carrots, Sam decides to cook him!
Basically, 'Herakles' is an omnium-gatherum of film clips depicting images of machismo. Some of those images are explicitly macho: we see various body-builders flexing their biceps and triceps. Other images seen here are not macho in the literal sense, but are indirectly related to testosterone or cojones on some level: we see military aircraft making bombing raids, and footage of car crashes.
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Wile E. Coyote tries and fails to catch the Road Runner using a bear trap with a bird seed bait, a jet rocket, an ice-making machine, and a boomerang.
Experimental short uses Ray Charles' “What'd I Say” as accompaniment to constantly shifting collage of female nude, cartoons, and newsreels of atomic bomb explosions.
John Glenn's first flight ushered in the modern era of space exploration for America. His landmark return to space represented the final chapter of space exploration in the 20th century.
This short film portrays the story of singer Paul Anka, who rose from obscurity to become the idol of millions of adolescent fans around the world. Taking a candid look at both sides of the footlights, this film examines the marketing machine behind a generation of pop singers. Interviews with Anka and his manager reveal their perspective on the industry.
Tweety sits in his house, forlorn over the fact he can't fly outside like other birds because of his hungry feline predator, Sylvester.
Daffy Duck is ordered by his loud-mouthed wife to sit on their egg in a nest. When Daffy adjusts the nest to make it more comfortable, the egg rolls away from him and into a crocodile hatchery, where it is indistinguishable from all the other eggs. When Daffy picks what he think is his egg from the crocodile hatchery, a male crocodile gives chase and does battle with Daffy for the egg.
An atmospheric tribute to the genius of Welsh poet and dramatist Dylan Thomas, using many of the windswept locations where Thomas himself grew up and found his inspiration. The film is hosted/presented by Richard Burton, Thomas's friend, who narrates the story and appears from time to time amidst the Welsh landscape. Burton had already appeared in Douglas Cleverdon's acclaimed BBC radio dramatization of Thomas's 'play for voices' Under Milk Wood in the 1950s and, in the early Seventies, would appear in director Andrew Sinclair's film version as First Voice.
Blacque Jacque Shellacque dams the river and plans to charge everyone a fortune for water, but not if Bugs Bunny has anything to say about it.
A brief summary on Comumunism, its origins with Marx, passing through two world wars which leads all the way to the Berlin Wall. Oscar nominated documentary narrated by James Cagney.
One of the few Brakhage films featuring spoken dialogue and a central character, this sly and bitter polemic pits an actor (poet? director?) against an unseen audience.
Foghorn Leghorn makes the mistake of volunteering to mind Widow Hen's mischievous son while she's away.
Documentary from British Transport Films.
Power saws and a heartbeat score this experimental light-and-color shot by Ed Emshwiller.
A film that looks at life in a small paper-mill town in Québec where most of the 6,500 inhabitants derive their livelihood from the one industry. Day after day, the same work, the same hours, the same machines, the same product, until the entire routine of living becomes but a reflection of the dominant routine of the mill.