Cocksucker Blues(1972)
This fly-on-the-wall documentary follows the Rolling Stones on their 1972 North American Tour, their first return to the States since the tragedy at Altamont.
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This fly-on-the-wall documentary follows the Rolling Stones on their 1972 North American Tour, their first return to the States since the tragedy at Altamont.
Es ist einer der ersten Bigfootfilme und er hat sicherlich zum Boom rund um das Fabelwesen in den 70ern beigetragen. Auch war sein halbdokumentarischer Erzählstil - die Schauspieler fungieren teils als "Augenzeugen" und die nachgestellten Stalking- und Angriffsszenen basieren angeblich alle auf wahren Begebenheiten - seiner Zeit durchaus voraus und dürfte sämtliche reißerischen Bigfootdukos bis heute geprägt haben.
James Earl Jones narrates this fascinating and moving documentary about the life of the assassinated black leader through various sources.
Ra [also known as The Ra Expeditions] is a 1972 documentary film directed by Lennart Ehrenborg and Thor Heyerdahl about the expeditions organised by Thor Heyerdahl in 1969 and 1970 in attempt to cross the Atlantic on papyrus boats. It was nominated for an Academy Award for Best Documentary Feature.
For three days in 1971, former US soldiers who were in Vietnam testify in Detroit about their war experiences. Nearly 30 speak, describing atrocities personally committed or witnessed, telling of inaccurate body counts, and recounting the process of destroying a village.
A visual essay on the forgotten parts of Eastern Europe. The outskirts here are a Slovakian town in the Tatra Mountains. Though censored for 17 years, Dusan Hanáks poetic visual essay is not a political or even social film. It goes to far deeper and more fundamental levels of human experience. Inspired by the photographs of Martin Martinek, the films power lies in its unusual portraits of people whose raw visual beauty radiates from their very souls.
A documentary about a political troupe headed by actors Jane Fonda and Donald Sutherland which traveled to towns near military bases in the US in the early 1970s. The group put on shows called "F.T.A.", which stood for "F**k the Army", and was aimed at convincing soldiers to voice their opposition to the Vietnam War, which was raging at the time. Various singers, actors and other entertainers performed antiwar songs and skits during the show.
A 1971–72 documentary film by Jonas Mekas. It revolves around Mekas' trip back to Semeniškiai, the village of his birth.
This documentary captures Elvis Presley on his 1972 American tour and includes rehearsals, interviews, archival television appearances and backstage moments. With Elvis at his most flamboyant, the film features well-known hits and cover songs showcasing his country, gospel and rhythm-and-blues influences.
A documentary on China, concentrating mainly on the faces of the people, filmed in the areas they were allowed to visit. The 220 minute version consists of three parts. The first part, taken around Beijing, includes a cotton factory, older sections of the city, and a clinic where a Cesarean operation is performed, using acupuncture. The middle part visits the Red Flag canal and a collective farm in Henan, as well as the old city of Suzhou. The final part shows the port and industries of Shanghai, and ends with a stage presentation by Chinese acrobats.
Im Jahr 1971 begleitete Roman Polanski den Rennfahrer Jackie Stewart während der Vorbereitungen zum Formel-1-Rennen in Monaco und zeichnete den Verlauf des Wettkampfs filmisch nach. In langen Einstellungen reiht er Impressionen eines langen Wochenendes chronologisch aneinander. Der restaurierte, ergänzte und von Polanski neu geschnittene Film ist ein spannendes Zeitdokument, das zugleich auch von einer "zeitgeistigen" Sorglosigkeit erzählt, die rückblickend mitunter schlicht sprachlos macht.
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This feature-length documentary from Bill Mason imparts his affection for the big northern timber wolves and the pure-white Arctic wolves. Filmed over three years in the Northwest Territories, British Columbia, the High Arctic and his home near the Gatineau Hills in Quebec, Mason sets out to dispel the myth of the bloodthirsty wolf. Going beyond the wolf's natural habitat, Mason relocated three young wolves to his own property and was able to film tribal customs, mating and birth. As a result, Cry of the Wild offers viewers access to moments in wildlife never before seen on film.
Lighter and livelier than the films Jean-Luc Godard had made in France, his U.S. collaboration with Direct Cinema documentarian D. A. Pennebaker was meant to be One A.M., as in “one American movie”; but Godard quit the project and the U.S., where to his dismay he discovered that revolution wasn’t imminent, and Pennebaker edited Godard’s material, to which he and Richard Leacock even added a bit more, releasing the result as One P.M., as in “one parallel movie.” It’s a stunning mixture of cinéma-vérité, political theater, and interviews of key sixties figures.
In the Summer of 1971 the Glastonbury legend was born when the organisers decided to try and create a festival that would be a forerunner for an 'alternative and utopian society'. The festival encompassed Midsummer's Day, and in true medieval tradition, the area of Worthy Farm, Pilton was given over to music, dance, poetry, theatre, spontaneous entertainment and nudity.
The personal and professional lives of aspiring dancers at New York's American Ballet Theatre School are chronicled in this documentary.
From Allen Funt, the creator of TV's "Candid Camera." The hidden camera is pointed at people dealing with money in all sorts of human and, often, hilarious circumstances.
Painters Painting: The New York Art Scene 1940-1970 is a 1972 documentary directed by Emile de Antonio. It covers American art movements from abstract expressionism to pop art through conversations with artists in their studios. Artists appearing in the film include Willem de Kooning, Jasper Johns, Andy Warhol, Robert Rauschenberg, Helen Frankenthaler, Frank Stella, Barnett Newman, Hans Hofmann, Jules Olitski, Philip Pavia, Larry Poons, Robert Motherwell, and Kenneth Noland.
An unprejudiced portrait of Spanish folklore and a crude analysis in black and white of its intimate relationship with atavism and superstition, with violence and pain, with blood and death; a story of terror, a journey to the most sinister and ancestral Spain; the one that lived far from the most visited tourist destinations, from the economic miracle and unstoppable progress, relentlessly promoted by the Franco regime during the sixties.
Morning of the Earth is a classic surfer film from 1971, created by Alby Falzon and David Elfick. The film has a soundtrack created by Australian musicians including Brian Cadd, and is set in Bali, Hawaii and Australia's north-east.
Consists of musical performances, mostly Argentine folklore, many of which are accompanied by dancing. Several sequences were filmed in scenic locations throughout the country.
The life of Jerome Hill corresponded with the first formative decades of cinema and a greater part of the 20th century. Through fragments of Hill’s surrealistic, handpainted and documentary films (as well as the James J. Hill family's home movies), this autobiographical work serves as an aesthetically complete documentary of Jerome Hill as an artist and offers a personal perspective of the seventh art.
The film is a study of the differences and similarities between human and animal behaviour. The first part of the movie focuses on the behaviour of various animal species. The second half is about humans. In the original Dutch version writer Anton Koolhaas, who also wrote the script, provided the voice-over.
Shot over six weeks in December 1971, and January 1972, the film consisted of interviews with Protestants, Catholics, politicians, and some soldiers, combined with TV news clips of bombings and violence. The deaths of four individuals formed the central focus of the film, which Ophüls described as ‘an old, middle-aged, humanistic, social-democratic attempt to give people an idea that life after all is not that cheap’. The BBC refused to transmit the completed film on the grounds that it was ‘too pro-Irish’ (Sunday Times, 5 Nov. 1972). (via http://cain.ulst.ac.uk/othelem/media/docs/freespeech.htm)
The culmination of a ten year celebration in celluloid, Greg MacGillivray and Jim Freeman give us five-plus exciting, controversial and beautiful stories about surfing. A perspective that warns of the future while it warms the present.
Nirad C. Chaudhuri expounds his views on culture, history, religion and society from a comparative perspective.
Documentary about a rodeo that takes place, for the most part, in Harlem.
Robotnicy - Nic o nas bez nas tells a story about Gdańsk Shipyard and its workers after so called Grudzień 1970 (1970 protests). After those events Edward Gierek replaced Władysław Gomułka as party first secretary and promised redical change in style and methods of ruling. Kieślowski shows the skepticism of workers and their attitude to party members. He also pictures conflicts inside the party (PZPR) and usual work in shipyard. The political criticism of this movie made it a target of censorship – it was suspended and cut against the will of director.
The biography of silent film legend Charlie Chaplin is brought to the screen with the narration of fellow silent star, Gloria Swanson.