Verwandte Listen: Filme auf Bengalisch | 1910 | 1930 | 1940 | 1950 | 1970 | 1980 | 1990 | 2000 | 2010 | 2020
Charulata lebt im 19. Jahrhundert mit ihrem Mann Bhupati, einem wohlhabenden politischen Verleger, in einer großen Villa in Kalkutta. Seine Arbeit nimmt seine ganze Zeit in Anspruch und Charulata kämpft mit Handarbeit, Lesen und der Beobachtung von Passanten gegen die Langeweile.
Arindam, a matinee idol, is going by train to collect an acting award. On the train, he is confronted by Aditi, a journalist who somewhat unwillingly starts to take his interview. Arindam, won over by Aditi's naivete, starts to disclose his past, his fears and his secrets.
Goopy Gyne and Bagha Byne are banished from their respective villages for being bad musicians. However, with their skills, they succeed in pleasing the king of ghosts who grants them three boons. How will they succeed in preventing the war between Halla and Shundi which is looming large?
Arati, eine verheiratet junge Frau im Kalkutta der frühen 60er Jahre, beschließt - mit der zunächst uneingeschränkten Unterstützung ihres Mannes Subrata - als Vertreterin für Nähmaschinen zu arbeiten, um so zum Familieneinkommen beizutragen. Dieser unkonventionelle Entschluss führt zu Neid, Missbilligung und Unverständnis innerhalb ihrer eigenen Familie.
The tragic story of the beautiful daughter of a middle-class refugee family from East Pakistan. Neeta, the protagonist, sacrifices everything for her unappreciative family.
The life of a woman happily married to the son of an upper-class family in 19th century Bengal is turned upside down when her father-in-law has a vision that she is the Goddess Kali returned to earth. He convinces her to fulfill her role as a living deity and transform her house into a temple.
Auf dem Weg in die Provinz um Material für einen Film zu sammeln, bleibt der Filmemacher Amitabha Roy mit seinem Wagen liegen. Der ortsansässigen Teepflanzer Bimal Gupta bietet ihm an, ihn für eine Nacht bei sich aufzunehmen. Da ihm keine andere Wahl bleibt, nimmt Amitabha dieses Angebot gerne an. In Bimals Haus erwartet ihn jedoch eine Überraschung: Bimals Frau ist seine Jugendliebe Karuna, die er damals aus Feigheit in einem schwierigen Moment verlassen hatte.
After an old college friend offers him a job at an iron foundry, the upright and honest Ishwar leaves a shanty town on the outskirts of Calcutta where he lives with a group of refugees from East Bengal. With plans to forge a solid living for himself, sister Sita and Abhiram, an orphaned boy he offers a home to, Ishwar is accused of selling out and deserting his people.
'Teen Kanya' is an anthology film based upon short stories by Rabindranath Tagore, as a tribute on the author's centenary. The title means "Three Daughters", and the film's original Indian release contained three stories, with three central female characters linking the stories together. 'The Postmaster' concerns an orphan girl who grows attached to the postmaster she is caring for after he teaches her to read and write. 'Monihara' is a supernatural tale about a woman obsessed with the jewels her husband buys for her. 'Samapti' follows a young man who falls for an unconventional girl from his new village instead of his arranged bride, the daughter of a respectable family. The international release did not include 'Monihara', and was released as 'Dui Kanya', or "Two Daughters".
Through the microcosmic perspectivising of a group of devoted and uncompromising IPTA workers, Ghatak with his signature style touches on varied issues of partition, idealism, corruption, the interdependence of art and life, the scope of art, and class-struggle.
The story revolves around a North Indian taxi driver, Narsingh, who attempts to reinvent his life by visiting his native place, but instead gets embroiled in a local Marwari businessman's smuggling and human trafficking business.
A wandering baba initiates a widower layer and his youngest daughter, irritating her boyfriend Satya and the ever-skeptical Nibaran.
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When Byomkesh Bakshi's new client, Dr. Nishanath Sen, is murdered at Golaap Colony, he decides to probe into the case with the help of his close aide, Ajit.
Madhuri cannot bear a child yet her husband Shatadal is fond of children. They decide to part ways but years later when they meet in a railway station they realize their fondness for each other hasn't died.
Ill-treated and disrespected by his sons, an octogenarian man wishes to go back to his youth. Things take a hilarious turn when he falls into a pond and is overjoyed to find his wish to have come true.
Played out in real time, several complex family dramas intersect in the landscape of the Himalayan foothills, allowing the Bengali auteur to examine the class and generational differences of postcolonial India while celebrating the hopes of a society in transition.
Bireswar Vivekananda is a 1964 Indian Bengali-language biographical film about the Indian Hindu religious leader, Swami Vivekananda.
Deepa, a schizophrenic patient, loses her normalcy due to a mishap that occurred in her personal life. Dr. Surajit Sen takes this case as a challenge to prove that an injured mind needs more care and a better understanding than any medicine on therapy. The film portrays how the doctor gets intimate with his patient and slowly gets into the detail of her crisis and enables her to lead a normal life.
A tax collector posted to a small town puts up at a mansion feared by the locals because it is haunted. As time passes he grows more consumed by the mansion and its air of romance, and the spirits that haunt it, especially a beautiful woman. Adapted from a Rabindranath Tagore story.
Widower Sudhangsu is going to be married with Soma, daughter of Sir Haraprasad. Sudhangsu declares that his first wife Kalpana committed suicide on a railway track in Burma, stating that she was mentally challenged. At the time of the marriage rituals a local advocate, Suren Banerjee, comes with a lady who claims that she herself is Kalpana and that Sudhangshu is committing bigamy. Sudhangsu strongly denies and claims that she is an imposter. In the meantime a mysterious person name Samadder invaded Sudhangsu's house and stole some ornaments of the deceased Kalpana.
In a family where relations have deteriorated to the worst level, even affecting professional lives, an outsider tries to rebuild the lost love and compassion.
A writer meets five widows on a train to Puri. As the six lives begin to intertwine, the theme of the taboos of widowhood emerge; but so, too, does a philosophy of life and hope for the future. The performers collectively won Best Actress at India's National Film Awards in 1964.
Pradyut Sen is an allopathic doctor who moves to Nabagram to run his practice. However, as the village already has an ayurvedic doctor, Jibon Sen, Pradyut develops a dislike for him.
A young man still to find a place in the sun puts up an innocent bluff to a young girl he chances upon. They meet frequently since then. Bluffs continue to pile up. There is no way out. In a desperate bid the young man tries to break the wealth barrier. His friend, well placed in life, cautions him. He turns a deaf ear. The inevitable happens. The young man grows wiser but pays heavily for it.
The story of Dr. Mukherjee, a highly respected civil surgeon in a small tribal district headquarters. He is the beloved of the local people, and often comes in conflict with Laxman Lal, the tyrannical son of a local aristocrat. Laxman Lal lusts after a local widow who, in order to escape his advances seeks shelter with Dr. Mukherjee. As Dr. Mukherjee treats the poor he becomes even more entwined with their lives and their little problems. To the tribals he is a godlike figure, but to Laxman Lal he is an enemy.
The plot revolves with Raicharan's tragic life. He is the obedient servant of local zamindar and takes care of zamindar's son whom he addresses as Khokababu. One day the little son dies in an accident in river flood and he is blamed for the same. In a delusional state, Raicharan starts believing his own infant to be his much loved khokababu and brought him up only to return him to his master.
Sub-Inspector Tinkari Haldar comes to the house of the Industrialist Chandra Madhab Sen to inquire about a Suicide and Mystery starts to Unfold.
In a home, hassle was a daily routine between homeowners and lodgers. The lodgers & their servant was determined that they wouldn't pay their rent. Both of them separately called in their brother & sister to rise courage in quarrel.
Set against the backdrop of the political violence that rocked India, and West Bengal in particular, in the late 1960s, it tells the story of an aged widow in a village who goes to Calcutta to stay with relatives, but faces only exploitation. She moves to a slum, and finds her "own people" in a group of educated, unemployed youth, who are caught up inexorably in the prevalent violence.
A woman is murdered and a hand bill of a resort run by a young couple is found. Is the murderer headed for it? Who is next victim? All the boarders, including owners are under false name. Why? A policeman arrives, will he be able to stop?
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