YouTube Premium (in Kürze)La prise de Tournavos(1897)
Three military men, seen inside a fortification, are firing on an unseen enemy force. The call for reinforcements but ladders appear signalling the enemy is about to overrun this position.
Regie: Georges Méliès
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Three military men, seen inside a fortification, are firing on an unseen enemy force. The call for reinforcements but ladders appear signalling the enemy is about to overrun this position.
A woman arrives home after the ball. Her servant helps her undress and bathe.
A rocky sea voyage as reenacted by Georges Méliès.
Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the road becomes the target of opportunity. He falls off his bicycle. He's not hurt, but he rides back the way he came, as the fight continues.
A man has an encounter with several spooky apparitions in a castle that is evidently owned by the Devil.
The Flicker Alley DVD "Georges Méliès: Encore New Discoveries (1896-1911)" misidentified a partial hand-colored print of the 1906 film "Alchimiste Parafaragaramus ou La cornue infernale" (The Mysterious Retort) as this film, "L'hallucination de l'alchimiste" (An Hallucinated Alchemist) from 1897, which continues to be considered a lost film.
Lasting for roughly 50 seconds, it shows the goodbyes of many passersby - first Europeans, then Palestinian Arabs, then Palestinian Jews - as a train leaves Jerusalem.
A romantic couple are transformed into skeletons via X-Rays. The film combines two very recent innovations: Wilhelm Roentgen's discovery of X-rays in 1895, and Georges Méliès' accidental realisation of the special-effects potential of the jump-cut in 1896.
A weary traveler stops at an inn along the way to get a good night's sleep, but his rest is interrupted by odd happenings when he gets to his room--beds vanishing and re-appearing, candles exploding, pants flying through the air and his shoes walking away by themselves.
A man peeping through a keyhole at an attractive young woman gets his comeuppance. This film, presumed lost, is often mistaken for Ferdinand Zecca's "What Is Seen Through a Keyhole" (1901).
An officer calls his sailors to the deck. They assemble around the canon while the officer scans the horizon. They all turn in the direction of the camera to look in the distance. At the same time the ship is hit! This scene is a filmed reconstruction of the 1897 Greek-Turkish war.
Two crooks throw a lady off a roof, and a hapless policeman tries to capture them.
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An incident of the Franco-Prussian War. It shows the bombardment of a house at Bazeille. It is the animated reproduction of de Neuville's celebrated painting.
An old man gets progressively livelier - and drunker - as he downs his bottle of beer. Finally, he cocks a snook - and doesn't bother to uncock it as he continues to drink.
An old man gets progressively livelier - and drunker - as he downs his bottle of beer. Finally, he cocks a snook - and doesn't bother to uncock it as he continues to drink.
A roller skater performs a series of eccentric exercises.
Oldest surviving cricket film.
A robber forces a luckless stroller in the park to remove his hat, coat, waistcoat and trousers.
Short recording of several parishioners leaving the city's basilica. It is considered the first Spanish film in history.
"The picture shows the Devil working at a fire. Two cavaliers appear, and the Devil takes the form of a seer, old, bent and wrinkled. Then he disappears in a cloud of smoke, to reappear shortly as a ghost, whose head comes off and floats around the room. Suddenly the table gets up of itself, and flies up the chimney. All sorts of wonderful things happen. A cannon takes the place occupied by the table, and belches forth flame and smoke. A large cage appears mysteriously in the center of the room, through the bars of which the Devil passes as if it were an open door. By his magic, he makes the cavalier pass through the bars in the same wonderful fashion. Everything is so weird and fantastic, that such a small trifle as a man turning into a donkey excites but passing notice." -Edison catalog.
Gugusse and the Automaton (French: Gugusse et l'Automate), also known as The Clown and the Automaton, was an 1897 French short silent film directed by Georges Méliès.
The Argentinian flag waving at the Plaza de Mayo in Buenos Aires. Currently a lost film.
